Zdzislaw Beksinski

Illustrations by Zdzislaw Beksinski

Zdzislaw Beksiński  was a Polish painter, photographer and sculptor, specializing in the field of dystopian surrealism. Beksiński did his paintings and drawings in what he called either a ‘Baroque’ or a ‘Gothic’ manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic color, with a strong style of “utopian realism” and surreal architecture, like a doomsday scenario. The second period contained more abstract style, with the main features of formalism.

Beksiński threw himself into painting with a passion, and worked constantly (always to the strains of classical music). He soon became the leading figure in contemporary Polish art. In the late 1960s, Beksiński entered what he himself called his “fantastic period”, which lasted up to the mid-1980s. This is his best-known period, during which he created very disturbing images, showing a surrealistic, post-apocalyptic environment with very detailed scenes of death, decay, landscapes filled with skeletons, deformed figures and deserts.

On 21 February 2005, Beksiński was found dead in his flat in Warsaw with 17 stab wounds on his body; two of the wounds were determined to have been fatal. Robert Kupiec (the teenage son of his longtime caretaker), who later pleaded guilty, and his accomplice, Lukas Kupiec, were arrested shortly after the crime. Before his death, Beksiński refused to loan Robert Kupiec a few hundred złotych (approximately $100).

Edward Gorey

Illustrations by Edward Gorey

Edward St. John Gorey was an American writer and artist noted for his illustrated books. His characteristic pen-and-ink drawings often depict vaguely unsettling narrative scenes in Victorian and Edwardian settings.

Gorey’s illustrated (and sometimes wordless) books, with their vaguely ominous air and ostensibly Victorian and Edwardian settings, have long had a cult following. Gorey became particularly well-known through his animated introduction to the PBS series Mystery! in 1980, as well as his designs for the 1977 Broadway production of Dracula, for which he won a Tony Award for Best Costume Design. He also was nominated for Best Scenic Design. In the introduction of each episode of Mystery!, Vincent Price would welcome viewers to “Gorey Mansion”.

In response to being called gothic, he stated, “If you’re doing nonsense it has to be rather awful, because there’d be no point. I’m trying to think if there’s sunny nonsense. Sunny, funny nonsense for children – oh, how boring, boring, boring. As Schubert said, there is no happy music. And that’s true, there really isn’t. And there’s probably no happy nonsense, either.”

Notes: Among the February 2018 archive of this site, there is a Calendar article for February 22nd that contains a biography of short biography of Edward Gorey’s life.

For those Edward Gorey fans, which I admit to having been one since the time I could read, I highly recommend reading Acocella’s wonderful article about Gorey’s life and wit.

https://www.newyorker.com/magazine/2018/12/10/edward-goreys-enigmatic-world