Randall Lake

Artwork by Randall Lake

Born in California in 1947, Randall Lake is an American artist who, influenced by an exhibition of work by Van Gogh, paints oil landscapes, still-lifes and portraits in an impressionistic realist style. He is currently based in Utah with a studio in Salt Lake City and a studio in his Spring City cottage home.

Lake traveled to France and studied French in 1968 at the Sorbonne of the University of Paris. When the events of the May 1968 protests closed the university, he continued his studies at the Academie Julian under painter Claude Schurr. In addition to his painting studies, Lake completed his English Degree, Cum Laude, in 1970 at the University of Colorado at Boulder. In 1972, he studied with Belgium designer and color-abstract painter Gustave Singier at the Ecole Nationale Superieure des Beaux Arts.

Randall Lake was an instructor in English at the Sorbonne from 1970 to 1973. He studied printmaking in 1973 under English printmaker and painter Stanley William Hayter at the Atelier 17, an experimental workshop that was influential in the teaching and promotion of printmaking in the twentieth-century. After four years of teaching, Lake settled in Utah where he studied under English-born portrait artist Alvin Gittins at the University of Utah. He earned his Master of Fine Arts degree in 1977 and became in 1978 a visiting member of the Department of Art Studio faculty at the university.

Lake continuously searches for new subjects and techniques for his work. Over time, his journey in art has reflected his journey in life, from the traditional landscapes executed as a Mormon to the more daring works as an openly gay man. Lake is drawn to the atmosphere that was present in the nineteenth-century, the lifestyle, the arts and the architecture. He paints from life and location to capture the essence of the subject and the moment. Seeking a change in his work, Randall Lake has begun experimenting with the elements of Abstraction and Fauvism, a movement which emphasized painterly qualities of brushwork and strong color.

Randall Lake is the recipient of many awards for his work, including the 2003 Grand Prix du Peintre Maudit from Salt Lake City’s Guthrie Institute, the 2015 and 2016 Award of Merit for the Spring City Plein Air Competition, ant the 2001 and 2006 Governor of Utah Award for Fine Art, among others. His work is in many private and public collections, including the Jinling Library in Nanjing, China; Utah State Collection of Art; Wyoming State Collection; Utah Museum of Fine Art; and the Leslie-Lohman Museum in New York.

Note: A video portrait of Randall Lake by Michael Schoenfeld for RadioWest Films can be found at: https://films.radiowest.org/film/randall-lake

An article on Randall Lake’s work, with quotes by the artist, can be found at the Springville Museum of Art website located at: https://www.smaexhibition-self.org/randall-lake.html

Randall Lake’s website, containing his work, gallery events and contact information, can be found at: https://www.randalllake.com/page/11302/collection

Second Insert Image: Randall Lake, “Afternoon Nap”, 1991, Pastel on Paper, 35.6 x 45.7 cm

Bottom Insert Image: Randall Lake, “Self Portrait with Model”, 1992, Oil on Canvas, 91.4 x 76.2 cm

Danny Ferrell

Paintings by Danny Ferrell

Danny Ferrell is an artist living and working in Pittsburgh, Pennsylvania. In 2014 he received a BFA from Penn State University in drawing and painting, and an MFA in painting from the Rhode Island School of Design in 2016. Ferrell is represented by the Marinaro Gallery in New York City and Galerie Pact in Paris. He is currently an Adjunct Assistant Professor of Art at Carnegie Mellon University, where he teaches drawing and painting. Ferrell has exhibited in New York City, Pittsburgh and the New England area.

Danny Ferrell was born in Flint, Michigan, and spent his formative years in rural Pennsylvania. In this deeply conservative area, most residents placed religion above all other virtues; the result was anyone deviating from religious law was treated as a herald of immorality. Ferrell’s love for other men violated the cultural norms, forcing him to conceal his identity as a gay person from those in the public sphere.

Consequently, his work represents fantasies and fears about the Other in the form of the queer male experience. By creating code homoerotic images of ubiquitous scenes that could appeal to mainstream audiences, the work is both universal and human. Ferrell admires Cadmus and Tooker and follows their lead to bring together the epic and banal in his work.

Alfonso Ossorio

Alfonso Angel Ossorio, “The Red Egg”, 1942, Watercolor and India Ink on Paper Pasted on Cardboard, 61.8 x 35 cm, Musée National d’Art Moderne, Paris

Born in August of 1916 in Manila, Alfonso Ossorio was an abstract expressionist artist of Hispanic, Filipino, and Chinese heritage. At the age of fourteen, he moved to the United States and attended Portsmouth Abbey School in Rhode Island, graduating in 1934. Ossorio studied fine art at Harvard University from 1934 to 1938, and continued his studies at the Rhode Island School of Design. He became a United States citizen in 1933.

Discovered by art dealer and collector Betty Parsons, Alfonso Ossorio had his first show, featuring his Surrealist-influenced works at New York’s Wakefield Gallery in 1940. Following World War II service in the US Army as a medical illustrator, tasked with drawing surgical procedures on injured soldiers, he took some respite in the Berkshires, a region in western Massachusetts known for its outdoor activities. It was there at the 1948 Tanglewood Music Festival that Ossorio met Edward Dragon, a ballet dancer, who would be Ossorio’s life-long partner.

Through his connection with Betty Parsons, Ossorio became acquainted with the work of Jackson Pollock. Becoming both an admirer and a collector of Pollock’s expressionist work, he and Pollock soon developed a close friendship and reciprocal influence on each others work. Later in 1951, through critic and art historian Michel Tapié, Ossorio established a contact between Pollock and the young Parisian gallery owner Paul Facchetti who realized Pollock’s first solo exhibition in Europe in 1952.

In Paris in 1951, Ossorio and Edward Dragon frequently met with artist Jean Dubuffet and his wife Lili. While they were visiting, Jean Dubuffet wrote the text for his monograph on Ossorio entitled, “Peintures Initiatiques d’Alfonso Ossorio” and introduced Ossorio to art critic and collector Michel Tapié. Tapié organized a one-man show at the Studio Paul Facchetti of Ossorio’s small, luminous “Victorias Drawings”, which Ossorio made while visiting the Philippines. Produced using Ossorio’s experimental drawing technique of wax-resistant crayon on Tiffany & Co. stationary, the works in this series are counted as some of Ossorio’s most innovative.

Dubuffet’s interest in art brut opened up new vistas for Ossorio, who found release from society’s preconceptions in the previous unstudied creativity of insane asylum inmates and children. In the 1950s, Ossorio began to create works resembling Dubuffet’s assemblages. He affixed shells, bones, driftwood, nails, dolls’ eyes, cabinet knobs, dice, costume jewelry, mirror shards, and children’s toys to the panel surface. Ossorio called these assemblages congregations, with the term’s obvious religious connotation.

On the advice of Pollock, Ossorio and Edward Dragon purchased an expansive 60-acre estate, The Creeks, in East Hampton, Long Island, New York, in 1951, where they lived for more than forty years. Alfonso Ossorio died in New York City in 1990. Half his ashes were scattered at The Creeks estate and the other half came to rest nine years later at Green River Cemetery, alongside the remains of many other famous artists, writers and critics.

Alfonso Ossorio’s works can be found at The Creeks, the Harvard Art Museum in Massachusetts, the Honolulu Museum of Art, the Housatonic Museum of Art in Bridgeport, Connecticut, and the Smithsonian American Art Museum in Washington, DC, among others.

Top Insert Image: Alfonso Ossorio, “Young Moses”, 1941, Ink on Paper, 45.1 x 46.7 cm, Michael Rosenfeld Gallery, New York City

Second Insert Image: Alfonso Angel Ossorio, “The Red Egg”, Detail, 1942, Watercolor and India Ink on Paper Pasted on Cardboard, 61.8 x 35 cm, Musée National d’Art Moderne, Paris

Bottom Insert Image: Alfonso Ossorio, “Resurrection”, 1940, Black Ink on Paper, 43.2 x 56.5 cm, Private Collection

Richard Taddei

The Artwork of Richard Taddei

Born in New York City in 1946, Richard Taddei is an American painter known for his male figurative works which are abstracted and seen through opposing picture planes and geometrical spaces. Raised in New Hyde Park in Long Island, he attended the Art School of the University of Toledo, Ohio in 1964. Taddei transferred to New York’s Pratt Institute of Art in 1967 to study architecture and art; later in the year he traveled to Europe to explore its art museums.

In 1968, Taddei began mentoring under the Kentucky-born artist Edward Melcarth, known for his Renaissance-influenced illustrations and paintings. Through Melcarth, he was introduced to the techniques employed in the art of Trompe l’Oeil and Venice’s seventeenth-century paintings. Taddei met photographer and designer John Loring in the same year; they would live together and form a design collaboration for creations at Tiffany & Company.

After a move to a SoHo loft in the early half of the 1970s, Richard Taddei began several personal associations which influenced his work and life. In 1972, he traveled to Italy where he lived and worked alongside Edward Melcarth; later in the same year, Taddei met Peggy Guggenheim, the entrepreneur Malcolm Forbes who began collecting his work, and the nature-inspired oil painter David Hill. In 1975, Taddei lived in Paris for a year with David Hill and Canadian painter Joseph Plaskett, both of whom influenced his figurative work.

After a 1976 move to the TriBeCa area of New York City, Taddei had his first painting exhibitions with the art dealer Jualian Pretto and later presented work in a group show curated by Keith Haring in the East Village. In the 1980s, Taddei established a career in the decorative arts in which, among other works, he created designs for china, scarves, backdrops and table settings for Tiffany & Company. Taddei also created murals for events at New York City’s Tavern on the Green, the Metropolitan Museum’s Party of the Year, and the Annual Gala at London’s Victoria & Albert Museum.

Richard Taddei’s paintings had appeared in many galleries, both in group and solo exhibitions. These include many group exhibitions in Provincetown, Massachusetts, including two solo exhibitions. Taddei’s work has also been shown in galleries in New York City, including the contemporary Hal Bromm Gallery. His most recent solo exhibition of new work was the January-February 2022 “Looking at Men” held at the Fine Art Gallery of the Wallkill River School located in New York’s Hudson Valley.

Richard Taddei’s paintings have been championed by the Leslie/Lohman Gay Art Foundation and has been represented by the MDH Fine Arts Gallery. Images of Taddei’s work and contact information can be found at the artist’s site located at: https://www.richardtaddei.com

Bottom Insert Image: Richard Taddei, “Italian Sailors”, 1986, Oil on Canvas, 76.2 x 111.8 cm, Private Collection