A Step into the World

Photographer Unknown, (A Step into the World), Computer Graphics, Film Gif

“A lone wolf doesn’t tread paths its ilk leaves; it makes its own footprints in the snow. Most of its kind lives in packs, but it is an army in itself.
As quiet as it is fierce, it hones its own skills in the wild – building its lair, hunting its prey, sharpening its claws and facing its predators – no hurdle too big to cross in its passionate pursuit of a quest.
It loves with similar ferocity too, a loyal protector and provider when it crosses paths with its mate for life – a true soulmate.
Above all, however, it is a survivor. When the
conditions get harsh, it will do what it has to, to make it out alive.
No, a lone wolf would not go down without a fight.”

–Savas Mounjid, The Broken Lift

 

The HYT- H4 – Neo Watch

Art in Craftsmanship and Design: The HYT- H4 – Neo Watch

The HYT H4 Neo has two crowns. The crown at 2 o’clock is your standard crown for setting the time. The second crown at 4 o’clock is used to create energy. When the user winds the second crown, a second mainspring is wound, and that power is stored in a micro-generator. When the crown is pushed, that power is distributed to two purple LED lights that illuminate highly luminescent “nano-particles” throughout the transparent dial. While the hour indicators on the bezel, as well as the minute indicators on the dial are already coated with a white Super-LumiNova material, and the fluid hour indicator is luminescent in nature, when the light is activated every nuance and detail of the HYT exclusive caliber are illuminated and accentuated without hindering legibility. In fact, it enhances it.

The HYT H4 Neo measures 51mm width by 18 mm height. The charcoal grey, DLC-coated titanium case fits HYT’s standard black and green color theme, with the purple light giving an added dimension to the watch that isn’t always apparent in previous designs. The HYT exclusive caliber utilizes its standard micro-liquid technology. At a high level, the mechanical movement utilizes a bellow with a colored liquid, and a bellow with a clear liquid located at the bottom of the movement. As one compresses over time, one depresses, and the liquid moves slowly inside of the glass tube, thus displaying the time along the outer edge of the dial. Skeletonized for the H4 and visible through the transparent dial, the movement fits the overall theme of the watch.

The HYT H4 Neo is fitted with a fire-resistant, water-resistant, hypo-allergenic, and reinforced fabric strap. Featuring a curved sapphire crystal and screw-down sapphire case-back (pictures will be posted when we get them), the watch is water resistant up to 50m. Even with the second charging spring, the watch features a generous 65-hour power reserve. The HYT H4 Neo Ref. 512-TD-65-GF-TS will be limited to 15 pieces only, and carry a price tag of $95,000.

Karl Grill

Karl Grill, Photographs of Bauhaus Costumes, Silver Gelatin Prints

Bauhaus was a school of design established by Walter Gropius in Weimar in 1919, best known for its designs of objects based on functionalism and simplicity.

Most people attribute Germany’s Bauhaus school with the following: being on the vanguard of minimalist design, the paring down of architecture to its most essential and non-ornamental elements, and the radical idea that useful objects could also be beautiful. What may be overlooked is the fact that the rigorous design school, founded by Modernism’s grandsire Walter Gropius, also put on marvelous costume parties back in the 1920s.

The parties began as improvisational events, but later grew into large-scale productions with costumes and sets made by the school’s stage workshop. There was often a theme to the evenings. One party was called “Beard, Nose, and Heart,” and attendees were instructed to show up in clothing that was two-thirds white, and one-third spotted, checked or striped. However, it’s generally agreed that the apotheosis of the Bauhaus’ costumed revelry was the Metal Party of 1929 where guests donned costumes made from tin foil, frying pans, and spoons.

Claire Fontaine

Paris-based Collective Claire Fontaine, “Carelessness Causes Fire”, Audain Gallery, Vancouver, 2012

A Paris-based collective founded in 2004, Claire Fontaine is named after a brand of French notebooks and stationery. In an attempt to identify the transformed position of “the artist”, Claire Fontaine has conceived of the “readymade artist,” which considers the contemporary artist as equivalent to Marcel Duchamps’s urinal or Andy Warhol’s Brillo Box. The collective has developed a practice in which existing forms and materials—such as ephemeral-object sculpture, installation, video, painting, infographics, and neon—are crafted into works that critique political and aesthetic norms of the art world.

Reblogged with thanks to http://contemporary-art-blog.com