Tag: faces

Chung Ling Soo

Artist Unknown, “Chung Ling Soo”, 1908 Advertising Poster

This rare 1908 poster advertised a tour of the talented magician Chung Ling Soo. It is one of eight different known posters of the magician’s tours.

Born William Ellsworth Robinson in Westchester County, New York in 1861,Chung Ling Soo was a behind-the-scenes designer of magic tricks for headliners Harry Keller and Alexander Herrmann before he struck out on his own. Around 1900, while in Europe, he adopted the Chung Ling Soo persona.

Robinson went to great lengths to preserve the illusion, limiting his speech on stage to the occasional bit of broken English and relying on an interpreter to talk to journalists. Robinson in his persona of Chung Ling Soo performed a bullet catch trick at a show in London, England in 1918; it was one of the big theatrical showpieces of his performances. Instead of catching the bullet on a plate, the bullet hit his chest. Robinson died a few days later at the age of 56.

Annie Proulx: “Nothing Was Left But What He Held In His Hands”

Twelve Faces to Remember

“He pressed his face into the fabric and breathed in slowly through his mouth and nose, hoping for the faintest smoke and mountain sage and salty sweet stink of Jack but there was no real scent, only the memory of it, the imagined power of Brokeback Mountain of which nothing was left but what he held in his hands.”

–Annie Proulx, Brokeback Mountain

 

Enki Bilal

The Artwork of Enki Bilal

Enik Bilal is a French comic book creator, comics artist and film director. At the age of fourteen, he met Rene Goscinny, a French comics editor and writer known for the comic book “Asterix”. With Goscinny’s encouragement Bilal applied his talent to the field of comics. He produced work for Goscinny’s comics magazine “Pilote” in the 1970s.

Enik Bilal is best know for the “Nikopol” trilogy which took more than a decade to complete. He wrote the script and id the artwork. The final chapter “Froid Equateur” was chosen Book of the Year by the magazine “Lire”. The third chapter of his “Quatre?” trilogy, entitled “Rendezvous a Paris” was the fifth best selling comic of 2006.

Ed Paschke

Ed Paschke, “Gypsy Blue”, 2001, Oil on Linen, 36 x 40 Inches

Ed Paschke was born in Chicago where he spent most of his life as an important painter. He was initially associated in the late 1960s with the second generation of Chicago Imagists who called themselves The Hairy Who. He received his B.F.A. from the School of The Art Institute of Chicago in 1961 and his M.F.A. in 1970.

Between 1961 and 1970, Paschke lived for a time in New York where he easily came under the influence of the Pop Art movement, in part, because of his interests as a child in animation and cartoons. His fascination with the print media of popular culture led to a portrait-based art of cultural icons. Paschke used the celebrity figure, real or imagined, as a vehicle for explorations of personal and public identity with social and political implications.

Although his style is representational, with a loose affiliation to Photorealism, Paschke’s art plays heavily upon expressionist distortion and abstract form. The often grotesque cast to his paintings suggests an affiliation in spirit with Surrealism, a movement that has historically interested Chicago artists and collectors.

In the 1970s, Paschke’s figures, now presented primarily as headshots in extreme close-ups, began to wear masks and unusual headgear. Colors became electric; forms were increasingly distorted by video-like disturbances; facial features of mouth, eyes, and nose were hollowed out or veiled with aggressive color shapes. These features became standard elements of Paschke’s disquieting and compelling art.

Carl Milles

Carl Milles, Orpheus Fountain Figures, Cranbrook Academy of Art and Design, Bronze

Carl Milles was a Swedish sculptor who studied in Paris, working in Auguste Rodin’s studio and slowly gaining recognition as a sculptor. In 1906 he and his wife, artist Olga Milles, bought porperty on the island Lidingo, near Stockholm. There they built a residence and a workspace for both of them. It was turned into a foundation and donated to the Swedish people in 1936, after Milles went to the Cranbrook Academy of Art in the United States.

Tribute Bearer

Tribute Bearer, Bas Relief, 710-705 BC, Assyrian Empire

This sculptured head of a man comes from a bas relief of tribute bearers in a procession. The turban on his head and style of his hair and beard identify him as being fron the western part of the Assyrian Empire, probably the Syrian Coast or Turkey. The relief was on a wall in the Palace of Sargon II, located in Khorsabad, Iraq.

Sargon II, a son of Tigiath-Pileser III, came to power late in his life, by ursurping the throne of his brother in a coup. Sargon II suppressed rebellions, conquered the Kingdom of Israel, and in 710 BC conquered the Kingdom of Babylon. He reunited Assyria with its southern rival, Babylonia, which had been seperated for the last thousand years.

In 705 BC, five years after taking Babylon, Sargon II was killed while leading a campaign to Tabal, which had rebelled against Assyrian rule seven years prior. His body was never recovered; his son Sennacherib became the new king.