Tag: edinburgh

Francis Campbell Boileau Cadell

The Paintings of Francis Cadell

Born at Edinburgh in April of 1885, Francis Campbell Boileau Cadell was a Scottish painter and watercolorist known for his portraits, central Edinburgh house interiors, and landscapes painted at Iona, Scotland’s west-coastal island. He was one of four Scottish Colourists, painters whose Post-Impressionist work had a formative influence on contemporary Scottish art and culture.

The son of wealthy surgeon Dr. Francis Cadell and Mary Hamilton Boileau, Francis Campbell Boileau Cadell was raised on Edinburgh’s prestigious Moray Estate and privately tutored at the Edinburgh Academy. At the age of sixteen, he studied at the Académie Julian in Paris where he became acquainted with the city’s early-Fauvist painters, most notably Henri Matisse. Between 1902 and 1905, Cadell alternated his residency between Paris and Edinburgh as he undertook a professional career. 

In 1907, Cadell studied at Munich’s Akademie der Bildender Künste, one of the oldest art academies in Germany, before returning to Scotland in 1908. Between the deaths of his mother and his terminally ill father, he had his first solo exhibition at Edinburgh’s Doig, Wilson and Wheatley’s Gallery in 1908 where he sold thirty paintings. With an inheritance from his father’s death, Cadell secured a studio on George Street in central Edinburgh in 1909. It was at this time that he met painter Samual John Peploe, who became his life-long friend and a fellow Scottish Colourist. 

With financing from old schoolfriend and now patron Patrick Ford, Francis Cadell undertook a painting excursion to Venice in 1910. This inspiring experience gave him more confidence in his use of bright colors and loosened his approach to painting. The work from this trip, however, sold poorly which resulted in the undermining of Cadell’s trust in gallery dealers. From 1911 to 1927, he sold his work only privately, with Glasgow art dealer Alexander Reid purchasing many of his works. After the declaration of war in 1914, Cadell passed his medical tests and joined the 9th Battalion of The Royal Scots in 1915 with whom he served on the French frontlines. Wounded twice, Cadell was discharged in 1919 and was awarded the General Service and Victory medals.

After his discharge from military service, Cadell spent much of his adult life in Scotland, painting in Edinburgh during the spring and autumn, on Iona during the summer, and usually resting indoors during the winter. He closely collaborated with his friend Samuel Peploe, often painting together on Iona, and developed an interest in the Art Deco movement. Cadell began to paint still lifes and figure studies, tightly-cropped compositions usually presented at an angle, and increasingly brilliantly colored interior scenes. 

From the early to mid-1920s, Francis Cadell restrained the use of perspective and shadow in his still lifes. These post-war images were characterized by their vivid, acidic colors and strict composition. Using flat areas of color and disregarding shadows, Cadell stylized the forms to such an extent that it could be seen as a two-dimensional pattern within a strictly limited framework. He later developed a style in which black remained the dominant color and was increasingly used to outline features. 

Cadell served from 1923 to 1936 as a Council member of the influential Edinburgh architecture, conservation and planning organization, the Cockburn Association also known as the Edinburgh Civic Trust. He died from cancer at the age of fifty-four in December of 1937 and was interred with his family in Dean Cemetery, a historically important Victorian cemetery west of Edinburgh’s city center. Cadell’s paintings and watercolors are housed in many private collections and are on public display in the collection of the National Galleries of Scotland.

Notes: ART UK has a 2020 article by modern art curator and auction house specialist Alice Strang, entitled “The Making of a Scottish Colourist: Francis Campbell Boileau Cadell”, on its site: https://artuk.org/discover/stories/the-making-of-a-scottish-colourist-francis-campbell-boileau-cadell

The Francis Campbell Boileau Cadell Organization has a biography and a large collection of the artist’s works on its site: https://francis-campbell-boileau-cadell.org

Top Insert Image: Francis Campbell Boileau Cadell, “Self Portrait”, Date Unknown, Black Chalk on Paper, 56 x 38.5 cm, Scottish National Gallery of Modern Art

Second Insert Image: Francis Campbell Boileau Cadell, “Self Portrait”, circa 1914, Oil on Canvas, 113.1 x 86.8 cm, National Galleries of Scotland 

Bottom Insert Image: Francis Campbell Boileau Cadell, “Life Study”, Date Unknown, Conte on Paper, 34.3 x 29.2 cm, Private Collection

Calendar: January 17

Year: Day to Day Men: January 17

A Sunny Day

The seventeenth of January in the year 1761 marks the birth date of Sir James Hall of Dunglass, 4th Baronet, who was a Scottish geologist and geophysicist. He was the first to use an analogue modeling synthesizer to investigate the formation of folds in the earth’s layers. Hall’s discoveries in this field were published in 1815.

Born at Dunglass Castle in East Lothian,  James Hall was the only son and heir of Sir John Hall, 3rd Baronet who had served on the Grand Jury for the 1748 Edinburgh trial of those involved in the 1745 Jacobite uprising. James Hall studied at Christ’s College, Cambridge, and the University of Edinburgh during the 1780s. At Edinburgh, he studied under Professor of Medicine and Chemistry Joseph Black and Regius Professor of Natural History John Walker, one of the main scientific consultants of his day.

From attending Walker’s courses, Hall learned how to use the chemical compositions of minerals to determine the relative age of the earth’s layers. Walker also emphasized in his classes the importance of chemistry to the study of geology. After his studies, Hall travelled Europe to seek book dealers who dealt in works on mineralogy, geology and chemistry. His travels to France brought him into contact with nobleman and chemist Antoine-Laurant de Lavoisier who wrote the first extensive list of elements. Lavoisier was also instrumental in the development of the metric system as well as the reformation of chemical nomenclature through a set of rules for the generation of systematic names. 

Upon his return to his home in Scotland, Sir James Hall continued his studies in the fields of chemistry and geology. During the 1780s and 1790s, he was interested in geologist James Hutton’s ‘Theory of the Earth” which suggested that the strata of the planet was continually being worn or melted down, thus making the planet a giant system of circulating material. Hall traveled with Hutton and professor John Playfair in the spring of 1788 on a boat trip to Siccar Point on Scotland’s Berwickshire coast. At Siccar Point, they discovered a rock formation that became known as Hutton’s Unconformity. This geological phenomenon marked the location where rock formations, created at different times and by different forces, joined together. Other locations in Scotland were later identified by Hutton. 

Initially skeptical of the chemical viability of Hutton’s theory, Hall soon published several papers on the chemical composition of the strata. He experimented on granite to prove that it was possible for molten rock to form a continuous sequence of deposits, typically in parallel layers. By melting basalt in an iron furnace, Hall demonstrated its return to the original form when cooled; his melted limestone proved that, melted under pressure, limestone did not decompose. These findings were published by Hall in the Royal Society of Edinburgh’s scientific journal “Transactions”. 

Sir John Hall traveled throughout Europe to examine the geological formations of Mount Etna and the Alps mountain range, both areas formed from the collision of the planet’s tectonic plates. He also studied the similarity of lava flows in Italy to geological sites in Scotland. Hall, in addition to his works in the field of science, was also the author of various works on architecture among which was his 1797 “Essay on the Origins and Principles of Gothic Architecture”. Sir John Hall, 4th Baronet, died at home in the central area of Edinburgh survived by a wife and six children. He is buried in Greyfriars Kirkyard in central Edinburgh.