The Rabbit’s Revenge

Illuminated Manuscripts: The Rabbit’s Revenge

“The typical depiction of a rabbit, especially when used in Medieval art and literature, is an image of purity and innocence—a harmless puff of cuddly cuteness. Another common association with the rabbit is that of fertility, a sensical comparison when one is aware of the speed at which the species copulates. In some medieval illuminated manuscripts however, the illustration of a rabbit turns from harmless to violent, with several examples showcasing the formerly innocent creature in the act of decapitation and other sword-wielding wrongdoings.

A way to analyze these drolleries, or medieval margin illustrations, is to think about the violent role reversals as humorous symbolism. Because these animals were so low on the totem pole of fear, it was quite amusing to the medieval illustrator to draw them enacting a revenge—silly animals on the opposite side of the slaughtering. This was also a way for the artist to show the stupidity of the human who was the object of the rabbits’ anger, one who was foolish enough to be bludgeoned by bunny.” -Kate Sierzputowski, Colossal

Daniel Kordan

Daniel Kordan, “Milky Way at the Uyuni Salt Flat in Altipiano”

“Determined to find a destination where he could photograph a completely dark sky, Russian photographer Daniel Kordan traveled to the Altiplano region of west-central South America, an area known for its absolute darkness, and which rises 12,300 feet above sea level. While here, Kordan captured the Uyuni salt flat with a special astrophotography camera. This type of camera unlocks the colors found in the sky, opening up the barriers between earth and space and casting the Milky Way onto the reflective flats.” – Kate Sierzputowski, Colossal