Dennis Cooper: “Their Jeans Sparkled, Cut Off Way Above the Knee”

Photographers Unknown, Their Jeans Sparkled

Their jeans sparkled, cut off
way above the knee, and my
friends and I would watch them
from my porch, books of poems
lost in our laps, eyes wide as
tropical fish behind our glasses.

Their football flashed from hand
to hand, tennis shoes gripped
the asphalt, sweat’s spotlight on
their strong backs. We would
dream of hugging them, and crouch
later in weird rooms, and come.

Once their ball fell our way
so two of them came over, hands
on their hips, asking us to
throw it to them, which Arthur did,
badly, and they chased it back.
One turned to yell, “Thanks”

and we dreamed of his long
teeth in our necks. We
wanted them to wander over,
place deep wet underarms to
our lips, and then their white
asses, then those loud mouths.

One day one guy was very tired,
didn’t move fast enough,
so a car hit him and he sprawled
fifty feet away, sexy, but he was
dead, blood like lipstick, then
those great boys stood together

on the sidewalk and we joined them,
mixing in like one big friendship
to the cops, who asked if we were,
and those boys were too sad to counter.
We’d known his name, Tim, and how
he’d turned to thank us nicely

but now he was under a sheet
anonymous as God, the big boys crying,
spitting words, and we stunned
like intellectuals get, our high
voices soft as the tinkling of a
chandelier on a ceiling too high to see.

Dennis Cooper, “After School, Street Football, Eighth Grade”, The World is Us: Lesbian and Gay Poetry of the Next Wave, 2000

Born in Pasadena, California in January of 1953, Dennis Cooper is a novelist, poet, critic and short story writer. He is best known for his autobiographical novels that feature intense analyses of human obsessions and relationships. 

The son of conservative parents, Dennis Cooper was educated at Pasadena City College and Pitzer College, a private liberal arts college in Claremont, California. He was influenced in his early years by French novelists and directors such as Jean Cocteau, Marguerite Duras and Alain Robbe-Grillet. An astute student, Cooper began writing surreal stories at the age of twelve. He was already focused toward a career in writing at the age of fifteen having written stories  in the styles of Arthur Rimbaud and the Marquis de Sade. 

Cooper was attracted to the Punk culture in his teenage years. In 1976 at the age of twenty-four, he founded the punk “Little Caesar Magazine”, which ran for four years and featured contributions from Debbie Harry, Andy Warhol, and artist / AIDs activist David Wojnarowicz. In 1978, Cooper founded the Little Caesar Press which published works by such artists as poet Amy Gerstler and critic and poet Peter Schjeldahl. Through his publishing company, he published his first book of poetry “Idols” in 1979. Two years later Cooper published his “Tenderness of the Wolves”, a collection of short stories and poetry which was nominated for the Los Angeles Times Book Prize. 

After working for four years as the Director of Programming at the Beyond Baroque Literary Arts Center, Dennis Cooper moved to New York City in 1983. He soon published his first novella, “Safe” and began a series of five books, the “George Miles Cycle”, a collection of work he aspired to write at the age of fifteen. After relocating to Amsterdam with his boyfriend, Cooper in 1985 published “Closer”, the first volume of the “Cycle” series. This book later won the first Ferro-Grumley Award for Gay Literature. During this period, Cooper also contributed articles for magazines such as The Advocate, Art in America, and Artforum. 

Returning to America in 1987, Cooper published his 1991 novel “Frisk”. He also worked on several art projects including collagist and sculptor Richard Hawkins’s 1988 “Against Nature: A Group Show of Work by Homosexual Men” held at the Los Angeles Contemporary Exhibition space. From 1990 to 2005, Cooper lived in Los Angeles collaborating with other artists including painter Lari Pittman, composer John Zorn, and sculptor Jason Meadows. He also founded the ‘Little House on the Bowery’ imprint, which issued works of new creative writers through the publishing company Akashic Books. 

In 1996, Dennis Cooper published s retrospective of his work from 1969 to 1993 entitled “The Dream Police”. This collection includes the best poems from his last five books, both darkly erotic early works and the more refined post-punk works of the later years. In 2000, Cooper published “Period”, the last volume in his “George Miles Cycle”. This series of work, an examination of Cooper’s fascination with sex and violence as well as his love affair with friend George Miles, has been translated into eighteen foreign languages and has been the subject of academic studies. The cycle, in addition to the five volumes, includes two essay collections by Cooper devoted to the cycle: the 2004 “Enter at Your Own Risk” and the 2008 “Writing at the Edge”.

In 2005, Cooper relocated to Paris where he currently resides. He has collaborated with composers Peter Rehberg and Stephen O’Malley, as well as theater director Gisèle Bienne, on several works for the theater including the 2005 “Un Belle Enfant Blonde” and a stage adaption of his 2003 novella “Jerk”. Cooper has since published several novels, short fiction works, and collections of poetry, including the 2004 “Thee Tight Lung Split Roar Hums”, the 2008 limited edition “The Weaklings”, and the 2013 “The Weaklings (XL)”. 

Notes: In the middle of 2016, Cooper engaged in a two-month confrontation with Google after it deleted his blog for “unspecified violations of their terms of use policy”. This blog contained ten years of writing plus a novel in progress. After mass media attention on Google’s actions and long negotiations through attorneys, Google returned his data. 

Christopher Soden: “Dionysus”

Photographers Unknown, Dionysus

i am wielder of chaos
bearer of cozy poison
hidden son of jupiter
gestated from his thigh
supple strapping boy
follow the crooked
steps of spontaneous
capering i will soothe
your terrified gaze
summon frantic defiant
nymphs to slake
your thumping skull
with tender anarchy
my fierce priestesses
in robes of moonlight
diaphanous cobweb
will sing lilting implacable
spells to wreck
planets in their courses
wine and feral milk spouting
from tap of hyssop branch
i will swaddle you
in mother night caress
you with snake tongue
drizzle silky
secret language
of the rapacious
in your ear nudge
succulent fissure
yearning for arc
of scalding bliss
sap of brief
delectable death

Christopher Soden, Dionysus

Born in Texas, Christopher Soden is a poet, playwright, and a critic of film, literature and theater. He attended the Vermont College of Fine Arts where he received in January of 2005 his Masters of Fine Art in Poetry. Soden has taught classes on the craft and theory of poetry, English literature, and the process of publication; he currently teaches literature in the Continuing Education Program at the Dallas College Richland Campus.

Soden’s first full-length poetry collection, “Closer” was published by Rebel Satori Press in June of 2011. While realizing that one can get only so close to another being, the works in this collection, written mostly in free verse, display the persistent sense of longing that one has for another. Soden’s collection of confessional narratives present an honest look at same-gender sexuality, maleness, loss and regret, and the complexity of the human condition.

Christopher Soden’s “Queer Anarchy”, a collection of short plays, monologues and performance pieces, dealt with gay and lesbian life in America; it received the Best Stage Performance award from The Dallas Voice, the first newspaper to represent Dallas’ LBGTQ community. Two of his plays, “Water” and “A Christmas Wish” were staged at Dallas’ Bishop Arts Theater Center. Other plays written by Soden include “All That Glitters Ain’t Goldie”, “Lizards Need Love Too”, and “Space Cowboy, Aunt Velma and the Macaroon”.

Soden received a Full Fellowship to Lambda Literary’s Retreat for Emerging LBGT Voices. He is a member of the Distinguished Poets of Dallas, the Poetry Society of America’s Poetry in Motion Series, and is a Founding Member and President Emeritus of the Dallas Poets Community. Soden’s poetry has appeared in many print and online magazines, including G&L Review and Chelsea Station; he currently writes for the Dallas Art Beat, the Examiner.com, and the online theater review, sharpcritic.com.

“I remember the first time I heard Sylvia Plath’s ‘Lady Lazarus’ in a writer’s workshop I was taking. Our teacher, Jack, read it aloud, and I was unacquainted with Plath and her poetry. Didn’t even know she was dead. As anyone who knows the poem can tell you, it gathers steam and just continues to escalate by way of rage and audacity. Plath just keeps pushing and pushing until you think she couldn’t possibly go any further, and yet she does. By the time Jack finished with those three lines, ‘Herr God, Herr Lucifer, Beware. Beware. / Out of the ash I rise with my red hair, / and I eat men, like air,’ I could feel deep shudders traveling up my back. My scalp was ablaze. Until that moment I didn’t even know such poetry was possible. That was when I knew I wanted to be a poet.”

– Christopher Soden