Calendar: June 26

A Year: Day to Day Men: 26th of June

The Art of Concentration

June 26, 1925 marks the release of the Charlie Chaplin film “The Gold Rush”.

The 1925 American comedy “The Gold Rush” was in every respect the most elaborate undertaking of Charlie Chaplin¹s career. For two weeks the unit shot on location at Truckee in the snow country of the Sierra Nevada. Here Chaplin faithfully recreated the historic image of the prospectors struggling up the Chilkoot Pass. Six hundred extras, many drawn from the vagrants and derelicts of Sacramento, were brought by train, to clamber up the 2300-feet pass dug through the mountain snow.

For the main shooting the unit returned to the Hollywood studio, where a remarkably convincing miniature mountain range was created out of timber (a quarter of a million feet, it was reported), chicken wire, burlap, plaster, salt and flour. The spectacle of this Alaskan snowscape improbably glistening under the baking Californian summer sun drew crowds of sightseers

In addition, the studio technicians devised exquisite models to produce the special effects which Chaplin demanded, like the miners’ hut which is blown by the tempest to teeter on the edge of a precipice, for one of the cinema’s most sustained sequences of comic suspense. Often it is impossible to detect the shift from model to full-size set.

“The Gold Rush” abounds with now-classic comedy scenes. The historic horrors of the starving 19th century pioneers inspired the sequence in which Charlie and his partner Big Jim  are snowbound and ravenous. Charlie cooks and eats his boot, with all the airs of a gourmet. In the eyes of the delirious Big Jim, he is transformed into a chicken – a triumph both for the cameramen who had to effect the elaborate trick work entirely in the camera; and for Chaplin who magically becomes a bird.

The lone prospector’s dream of hosting a New Year dinner for the beautiful dance-hall girl provides the opportunity for another famous Chaplin set-piece: the dance of the rolls. The gag had been done before, by Chaplin’s one-time co-star Roscoe “Fatty” Arbuckle; but Chaplin gave unique personality to the dancing legs created out of forks and rolls. When the film was first shown audiences were so thrilled by the scene that some theaters were obliged to stop the film, roll it back and perform an encore.

“The Gold Rush” was the first of his silent films which Chaplin revived, with the addition of sound, for new audiences. For the 1942 reissue he composed an orchestral score, and replaced the inter-titles with a commentary which he spoke himself. The film today is accepted to be one of Chaplin’s most perfectly accomplished films and declared by him to be the one by which he wanted to be remembered.

Calendar: February 6

A Year: Day to Day Men: 6th of February

The Gray Sweatshirt

Ninety five years ago, on February 6, 1921, Charlie Chaplin’s silent film “The Kid” was released around the country.

“The Kid” is an American silent film written, directed, produced by and starring Charlie Chaplin in 1921. Since this film was written and shot during the economic depression of 1920-1921, one can see a very strong influence of the classic lifestyle of a lower class citizen with economic struggles throughout the film. This was Chaplin’s first feature film and was a huge success when it was released, making it the second highest grossing film in 1921.

“The Kid” is a highly meaningful, perhaps philosophical film about fatherhood and childhood. It is almost pure drama and Chaplin shows himself more of a dramatic actor and less of a clown than in any previous film. Laughter springs most often to the situation or pantomime, not rude or playful harlequinades. The scenario is studied and the dramatic situations are dealt with in a realistic style that foreshadowed his previous films. The film lets see how this misery can give a powerful sensitivity to those who suffer. Among these beings hunted and constantly on the defensive, the least little dramas soon take a look, a tone of tragedy.

The film made Jackie Coogan, then a five year old vaudeville performer, into the first major child star of the movies. Many of the Chaplin biographers have attributed the relationship portrayed in the film to have resulted from the death of Chaplin’s firstborn infant son just ten days before the production began.

In December 2011, “The Kid” was chosen to be preserved in the Library of Congress’ National Film Registry. The Registry said that the film is “an artful melding of touching drama, social commentary and inventive comedy” and praised Chaplin’s ability to “sustain his artistry beyond the length of his usual short subjects and could deftly elicit a variety of emotions from his audiences by skillfully blending slapstick and pathos.”