Calendar: July 27

A Year: Day to Day Men: 27th of July

Hold

July 27, 1940 was the release date of the film “A Wild Hare”.

An early version of a Bugs Bunny-like character appeared in the 1938 “Porky’s Hare Hunt”. It was co-directed by Ben Hardaway and an uncredited Cal Dalton, who was responsible for the initial design of the rabbit. Porky Pig is cast as a hunter tracing his prey who is more interested in driving his pursuer insane rather than escaping. The white rabbit had an oval shaped head, a shapeless body, and was voiced by Mel Blanc.

This rabbit character appeared in “Prest-O Change-O”, directed by animator Chuck Jones and released in 1939. This version of the character was cool, graceful and controlled. He retained the laugh but was otherwise silent in the film. The third appearance of the rabbit was in the 1939 “Hare-um Scare-um” directed by Dalton and Hardaway. This time he was gray and had his first singing role.

“The Wild Hare” is considered to be the first official Bugs Bunny cartoon. It is the first film where both Elmer Fudd and Bugs, both redesigned by animator and developer Bob Givens, are shown in fully developed forms as hunter and tormentor. The film is the first in which Mel Blanc uses what becomes the standard voice for Bugs, and says Bugs’ famous catchphrase, “What’s up, Doc”. A huge success in the theaters, the film received an Academy Award nomination for Best Cartoon Short Subject.

Since Bugs’ debut in “ A Wild Hare”, Bugs appeared only in color Merrie Melodies films, alongside Elmer and his predecessors. Bugs made a cameo in the 1943 “Porky’s Pig Feet”, but that was his only appearance in a black-and-white Looney Tunes film. He did not star in a Looney Tunes film until that series made its complete conversion to only color cartoons beginning in 1944. “Buckaroo Bugs” was Bugs’ first film in the Looney Tunes series and was also the last Warner Bros. cartoon to credit Schlesinger, who had produced the film of the original rabbit. The Leon Schlesinger Productions studio was sold to Warner Brothers in1944 after the release fo “Buckaroo Bugs”.

The cartoon 1958 “Knighty Knight Bugs”, directed by Fritz Freleng, in which a medieval Bugs trades blows with Yosemite Sam and his fire-breathing dragon, won an Academy Award for Best Cartoon Short Subject, becoming the first Bugs Bunny cartoon to win that award. Three of Chuck Jones’ films —“Rabbit Fire”, “Rabbit Seasoning” and “Duck! Rabbit, Duck!”— compose what is often referred to as the “Rabbit Season/Duck Season” trilogy and are famous for originating the historic rivalry between Bugs and Daffy Duck.

Chuck Jones’ classic 1957 “What’s Opera, Doc?”, casts Bugs and Elmer Fudd in a parody of Richard Wagner’s opera “Der Ring des Nibelungen”. This cartoon was deemed “culturally significant” by the United States Library of Congress and selected for preservation in the National Film Registry in 1992, becoming the first cartoon short to receive this honor.

Calendar: February 19

Year: Day to Day Men: February 19

The Coffee Table Book

The nineteenth of February in 1913 marks the birth date of Francis Frederick von Taschlein who was an American animator and filmmaker. Best known as Frank Tashlin, he worked on the Warner Brothers Studio’s series of animated shorts, “Looney Tunes” and “Merrie Melodies”, as well as many successful comedy feature films.

Born in Weehawken, New Jersey, Frank Tashlin left high school at the age of thirteen and began working through a series of various jobs. In 1930, he started working as a animator for film director John Foster on the “Aesop’s Fables” cartoon series. Tashlin joined producer Leon Schlesinger’s cartoon studio at Warner Brothers in 1933 as an animator; the studio had achieved its success with the production of the “Looney Tunes” and later “Merry Melodies” series of shorts.

Tashlin worked with Schlesinger for one year before he joined the Ub Iwerks studio in 1934. Iwerks had worked as a character designer for Walt Disney and refined Disney’s sketch for Mickey Mouse; he would do much of the animation on Disney’s “Silly Symphony” cartoons which included “Steamboat Willie” and “The Skeleton Dance”. Tashlin stayed with Iwerks until 1934 and then worked for one year with Hal Roach’s studio. 

In 1936, Frank Tashlin returned to Schlesinger as the head director for the animation department at Warner Brothers. With his knowledge of the industry and his diverse interest in animation, he brought a new understanding of camera techniques to the department. Animated shorts began to use montages, vertical and horizontal pan shots, and shots taken from different camera angles. From 1936 to 1938, Tashlin directed almost twenty shorts. After an argument with studio manager Henry Binder, he resigned and worked for a few years in Disney’s story department. 

Tashlin joined Columbia Pictures’s Screen Gems animation studio as production manager in 1941. He was effectively in charge of the studio and hired many former Disney artists who had left as a result of the Disney animators’ strike over pay inequities and unionization efforts. Tashlin launched one of the better products of the studio, “The Fox and Crow” series which ran until the studio closed in 1946. His stay at Columbia lasted only one year as he was fired after an argument with Columbia executives. 

In 1942, Frank Tashlin rejoined the Warner Brothers animation studio as a director. Among the cartoon shorts he directed were “Porky Pig’s Feat” in 1943 and two Bugs Bunny features, the 1945 “Unruly Hare” and 1946 “Hare Remover” which was Tashlin’s last credited film at Warner Brothers. Tashlin worked on the studio’s wartime shorts during the years of World War II. Before he left Warner Brothers, he directed some stop-motion puppet films for producer John Sutherland. Tashlin’s 1947 puppet animation film “The Way of Peace” was selected in 2014 for entry into National Film Registry.

From 1946 until 1951, Tashlin became a gag writer for such comedians as Lucille Ball and the Marx Brothers; he also worked as a screenwriter for Bob Hope and comedian Red Skelton. Tashlin began his career as a director of feature films when he was asked to finish directing Bob Hope’s 1951 “The Lemon Drop Kid”. His successful streak of box-office successes began in 1956 with “The Girl Can’t Help It” starring Jane Mansfield and Tom Ewell. This was followed by the Dean Martin and Jerry Lewis 1956 “Hollywood or Bust” and the 1957 “Will Success Spoil Rock Hunter” that starred Jane Mansfield, Tony Randall, Betsy Drake and Joan Blondell. Tony Randall received a Golden Globe nomination for his role and the film was selected in 2000 for entry into the National Film Registry. 

Frank Tashlin was the director for six of Jerry Lewis’s early solo films, among which were the 1958 “The Geisha Boy”, the 1960 “Cinderfella”, and “The Disorderly Orderly” in 1964. He also directed the 1965 “The Alphabet Murders” and the 1966 “The Glass Bottom Boat’ with Doris Day, Rod Taylor, Arthur Godfrey, Paul Lynde, and Dom DeLuise. Tashlin’s last directorial work was the 1968 comedy “The Private Navy of Sgt. O’Farrell” with Bob Hope, Phyllis Diller and Jeffery Hunter.

Over the course of his career, Tashlin worked on four dozen animated shorts, including a dozen of Porky Pig’s earliest appearances, and forty-four feature films, either as director, writer, or producer. Frank Tashlin was stricken with a coronary thrombosis in his Beverly Hills home on the second of May in 1972. He died three days later on the fifth of May at Los Angeles’s Cedar-Sinai Medical Center at the age of fifty-nine. Tashlin is interred at Forest Lawn Memorial Park in Glendale, California.

 

Hunting Season

Artist Unknown, (Hunting Season), Computer Graphics, Animation Gifs

This image is from the 1951 Looney Tunes cartoon “Rabbit Fire” starring Elmer Fudd, Daffy Duck and Bugs Bunny. It was written by Michael Maltese and directed by Chuck Jones, as the first film in Jones’ “hunting trilogy”. It features the first feud between Daffy and Bugs. Released by Warner Brothers on May 19, 1951, it is considered among Chuck Jones’ most important works.

“Rabbit Fire” marked a change in typical animation for its use of dialogue gags rather than physical gags. In this cartoon, Mel Blanc showed his unique voice acting talent by making one character imitate another character’s voice, in this case, Daffy impersonating Bugs and vice versa.