Bruno Novelli

Paintings by Bruno Novelli

Bruno Novelli was born in 1980 in Brazil. Novelli studied sculpture at the School of Visual Arts in New York City; Drawing at the Atelier Livre da Prefeitura de Porto Alegre in Brazil, and Graphic Design at ESPM in Sao Paulo. Novelli is a founder of the Universidade Autoindicada por Entidades Livres, which was created to articulate interdisciplinary artistic research. Novelli is also co-founder of Metagrafismo (Metagraphism), an experimental collective exploring the graphic potential of metalinguistics.

Novelli’s work has been exhibited in his native Brazil, as well as internationally in England, Denmark, Spain, Japan and the United States. In 2010, Novelli participated in the São Paulo edition of TRANSFER for the Pavilion of Brazilian Culture at Ibirapuera Park. Most recently he has participated in exhibitions at Fundacion OSDE (Buenos Aires), Centro Nacional de Las Artes (CENART – Mexico) and at the Museu da Imagem e do Som (MIS) in São Paulo.

Novelli’s paintings and videos feature enigmatic images, in which otherworldly entities, northern figures, dynamic geometric forms, and an encrypted alphabet strangely align. He has a deep interest in Amazonian rituals, the practice of painting, and experimentations with animated gifs. Novelli lives and works in São Paulo.

Duncan Grant: The Saint Blaise Chapel Murals

Duncan Grant, Mural, Detail of the West Wall, St Blaise Chapel, Lincoln Cathedral, Lincoln, Lincolnshire, England

Duncan Grant, born from Scottish aristocratic roots, was an influential artist of the early 20th century, conscientious objector in the First World War and member of the Bloomsbury Group, whose attitudes towards feminism, pacifism and sexuality brought them great notoriety. Though homosexual, he had a daughter, Angelica, by his 40-year largely platonic relationship with Vanessa Bell (sister of Virginia Woolf), and had several notable lovers including Bloomsbury set fellows, the economist John Maynard Keynes and writer David Garnett. His later life was spent with another Bloomsbury associate, poet and translator of the classics, Paul Roche.

The mural paintings in The Russell Chantry, St.Blaise Chapel in St.Mary’s Cathedral are dedicated to St.Blaise, patron Saint of wool workers and depict a fanciful quayside scene in 15th century Lincoln. They were painted in 1958, when Grant was in his early seventies and were embroiled in controversy from the start. His initial designs were amended, and his open homosexuality and history as a conscientious objector were frowned upon in the early post-war years.

The Chapel was kept locked from around 1964 to 1977 when the first colour Cathedral guidebook made no mention of the murals. The chapel continued to be locked and used as a storeroom with cupboards against the walls covering the murals until 1990. Some people objected to the near nudity of the figure of Christ, modelled on Grant’s homosexual lover Paul Roche and the athletic young porters loading bales of wool on the quayside. Even today, some Cathedral guides omit the St.Blaise Chapel and Grant’s marvellous murals from their tour.

Jaume Plensa

 

Jaume Plensa, “Heads of Nuria and Irma”, Yorkshire Sculpture Park, England

With 30 projects spanning the globe, Jaume Plensa is probably one of the most renowned Catalan sculptors in the contemporary art scene. Though he is mainly known for his large-scale ethereal sculptures, he has worked with a very diverse array of media, ranging from video projections to acoustic installations. Plensa’s work juxtaposes the intellectual and the poetic. Though these two concepts are often mutually exclusive, the artist somehow manages to create extremely evocative sculptures with a strong conceptual basis.

While many conceptual artists feel the urge to refuse beauty in order to convey an idea, the beauty and romanticism of Plensa’s sculptures manage to provide tangibility to his ideas. One of the many aspects in which the artist manages to do so is by introducing his works in the public space, thus allowing his sculptures to be animated by the city and its inhabitants.