Gol Stavkirke

Gol Stavkirke, Oslo, Norway, 1212 AD

Gol Stave Church (Gol Stavkirke) is a stave church originally from Gol, Hallingdal, Norway. It is now located in the Norwegian Museum of Cultural History at Bygdøy in Oslo, Norway. When the city built a new church around 1880, it was decided to demolish the old stave church. It was saved from destruction by the Society for the Preservation of Ancient Norwegian Monuments, which bought the materials in order to re-erect the church elsewhere.

It was acquired by King Oscar II, who financed its relocation and restoration as the central building of his private open-air museum near Oslo. The restoration, overseen by architect Waldemar Hansteen, was completed in 1885. In 1907 this early open air museum, the world’s first, was merged with the Norwegian Museum of Cultural History, which now manages the stave church, still nominally the property of the reigning monarch. The church was dated to 1212 by the characteristic patterns of the annual growth rings in the timber construction.

A modern replica of the Gol Stave Church is in the mediaval park Gordarike. The copy was built in the 1980s and consecrated by the bishop of Tunsberg in 1994. In the summer evening on Wednesdays there is a devotional and sometimes musical performance. The church is often used for weddings. The woodwork inside the church is adorned with beautiful carvings and details.

Art’s Reflections on Life

Art’s Reflections on Life

“What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war.”
― Pablo Picasso

Tanabe Chikuunsai IV

Twisted Bamboo Sculptures by Tanabe Chikuunsai IV

Japanese artist Tanabe Chikuunsai IV earned a degree in sculpture from Tokyo University of the Arts and trained in bamboo crafts at a school in Beppu on the island of Kyushu, Japan.

Chikuunsai IV produces twisting installations of woven bamboo that meld into their environment’s floor and ceiling. To bend the durable material he first moistens each piece to achieve the perfect curve, and often recycles the same pieces of bamboo for future installations. In 2017 the artist constructed a site-specific piece titled “The Gate” at the Metropolitan Museum of Art. The work used tiger bamboo that had been used ten times, including in a piece shown at the Guimet Mueseum in Paris.

“Technique and skill and spirit are important, My parents taught me that this spirit is more important than technique. Using bamboo, I try to keep the spirit and tradition in my heart as I create new work.” -Tanabe Chikuunsai IV

Calendar: June 15

A Year: Day to Day Men: 15th of June

Black and Yellow Plaid

On June 15, 1878,  photographer Eadweard Muybridge used high-speed photography to capture a  horse’s motion.

Former California Governor Leland Stanford was an imperious, headstrong captain of industry who had helped build the transcontinental railroad and would later found the university that bears his son’s name. He retired to the life of a country horse breeder; and he wanted proof of what his eyes told him: that a horse has all four feet in the air during some parts of his stride.

Many photographers at that time were still using exposures of 15 seconds to one minute. Automatic shutters were in their infancy: expensive and unreliable. Eadweard Muybridge, a successful landscape photographer at that time, devised more-sensitive emulsions and worked on elaborate shutter devices. He also rigged a trip wire across a racetrack, letting the horse’s chest push against the wire to engage an electric circuit that opened a slat-shaped shutter mechanism to make the exposure.

This system produced an “automatic electro-photograph” on July 1, 1877. It showed Occident, a Stanford-owned  racehorse, seemingly with all four feet off the ground. The press and the public failed to accept this as proof, however, because what they actually saw was obviously retouched. (The photo had been reproduced by painting it, then photographing the painting, then making a woodcut of the photo for the printing on paper.)

Muybridge continued his labors with the engineering help of Stanford’s Central Pacific Railroad. They installed 12 evenly spaced trip wires on Stanford’s Palo Alto racetrack. When a horse pulled a two-wheeled sulky carriage over the wire, the wheels depressed the wire, pulling a switch that opened an electrical circuit that used an elastic band to open a rapid-fire sliding shutter mechanism in the side of a purpose-built shack. Inside the shack, behind a row of 12 shutters, was a row of 12 cameras. Opposite the shack was a white wall with vertical lines matching the distance of the trip wires and cameras.

So, on June 15, 1878, before assembled gentlemen of the press, Stanford’s top trainer drove Stanford’s top trotter across the trip wires at about 40 feet per second, setting off all 12 cameras in rapid succession in less than half a second. About 20 minutes later, Muybridge showed the freshly developed photographic plates. The horse, indeed, lifted all four legs off the ground during its stride. Remarkably, this was not in the front-and-rear-extended “rocking-horse posture” some had expected, but in a tucked posture, with all four feet under the horse.

Muybridge refined his invention, increasing the cameras from one to two dozen, and developed an electromagnetic timer that opened shutters independently of any trip wires. That allowed him to study the nonlinear motions of other four-footed animals, human athletes, a nude descending a staircase and even birds. Muybridge went on to publish a series of finely printed, large-format books of his stop-motion photographs.

Steven Erikson: “Shadow is Ever Besieged, for That is Its Nature”

Photographer Unknown, (Light and Shadow Upon a Figure)

“Shadow is ever besieged, for that is its nature. Whilst darkness devours, and light steals. And so one sees shadow ever retreat to hidden places, only to return in the wake of the war between dark and light.”

― Steven Erikson, House of Chains

Lorii MeyersL “Always Being a Good Sport”

Photographer Unknown, (The Sportsmen)

“True sportsmanship is…
Knowing that you need your opponent because without him or her, there is no game.
Acknowledging that your opponent holds the same deep-rooted aspirations and expectations as you.
Knowing that, win or lose, you will walk off the course with pride.
Always taking the high road.
And always, always, always being a good sport.”

Lorii Myers, No Excuses, The Fit Mind-Fit Body Strategy Book

Time Stopped

Photographer Unknown, (Time Stopped: A Fraction of a Second Until 10:10)

“The main thing you remember is the noise. All that water cascading around you sounds kind of brutal, kind of dangerous, but time has stopped, so all you do is try to hang on and hope that nature, the ocean, treats you well. I just recall seeing another surfer way down the beach, and then it was all over and I was out, and safe, going wow, wow, that was a gift from nature.”
― Robert Black

The Wood Dragon

Chinese Carved and Painted Wooden Dragon, 1880, Wood, 11 x 34 x 13 Inches

This Chinese sea dragon is from the late 19th century, most likely being a temple carving for above a doorway. It portrays an undulating movement in its form, with the head turned back to the scaled, serpentine body. The mouth is open in a smile and the eyes are large with eyelashes. It is painted in strong reds and greens with gilt highlights.