Waves of Increasing Intensity
“There is no Space or Time
Only intensity,
And tame things
Have no immensity”
―
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Waves of Increasing Intensity
“There is no Space or Time
Only intensity,
And tame things
Have no immensity”
―

A Year: Day to Day Men: 20th of November
Blue Sky and Two Ravens
November 20, 1890 was the birthdate of American film actor Robert Armstrong.
Robert Armstrong, born in Bay City, Michigan, attended the University of Washington, where he studied law. He gave up his studies to manage his uncle’s
touring company. In his spare time, Armstrong wrote plays, appearing in one when it was produced. In 1926, he traveled to London and appeared on the British stage for one season.
Robert Armstrong’s film career began in 1927 when he appeared in Pathé’s romantic silent film drama ”The Main Event”, produced by Cecil DeMille. He had a very prolific film career in the late 1920s and early 1930s, making nine movies just in 1928. Armstrong is best know for his role as film director Carl Denham in the 1933 monster adventure film “King Kong”. He reprised his role as Denham in the sequel “Son of Kong”, released at the end of 1933.
Merian C. Cooper, the producer of “King Kong”, used Armstrong in several more movies. Armstrong and Fay Wray starred in “The Most Dangerous Game”, filmed at night on the same sets being used during the day for “King Kong”. He worked throughout the 1930s and 1940s for several film studios, starring in the 1937 musical comedy “The Girl
Said No”, released by Grand National Films. In 1940, Armstrong co-starred in the Universal Pictures film “Enemy Agent”, a story about A Nazi spy ring in the country.
In 1942, Armstrong teamed up with actor Richard Cromwell in the notable gangster B-movie “Baby Face Nelson”, playing “Doc” Rogers, the boss of ‘Baby Face’ played by Cromwell. Later he played another leading character role, similar to Carl Denham, as Max O’Hara in “Mighty Joe Young” released in 1949. This film, produced by Merian C. Cooper and directed by Ernst B. Schoedsack, became a stop-motion animation classic, winning the Academy Award for Best Visual Effects in 1950.
Armstrong appeared in the 1950s as Sheriff Andy Anderson on the syndicated wester-themed television series “State Trooper”. He also made four guest appearances on the long-running television series “Perry Mason”, playing the both title character and murder victim on one show, a defendant on another, and the murderer in “The Case of the Accosted Accountant”. Robert Armstrong died of cancer in Santa Monica, California, within sixteen hours of the death of the co-producer of “King Kong”, Merian C. Cooper.
Bottom Insert Image: Robert Armstrong and Frank Reicher, “Song of Kong”, 1933, Director Ernest B. Schoedsack, Cinematography Edward Linden, J. O. Taylor and Vernon L. Walker, Film Clip Photo
Photographer Unknown, (The Not-So Flat Fronted Trousers)

Photographer Unknown, (The Pup’s Tail)
“What are little boys made of?
Snips and snails, and puppy dogs tails,
That’s what little boys are made of.”
– Author Unknown



Photographer Unknown, Freddy Krave (On White Sheets)

Photographer Unknown, The Stance of the Boxer
Photographers Unknown, Ginger Men
“Come here till I tell yo. Where is the sea high and the winds soft and moist and warm, sometimes stained with sun, with peace so wild for wishing where al is told and telling.”
–J P Donleavy, The Ginger Man

Photographer Unknown, (The Clarity of Water)
“It is said by the Eldar that in water there lives yet the echo of the Music of the Ainur more than in any substance that is in this Earth; and many of the Children of Ilúvatar hearken still unsated to the voices of the Sea, and yet know not for what they listen.”
―

Black Socks with Three White Stripes
Photographer Unknown, (A Moment in the Time of Two Men)
“O friend, for the morrow let us not worry
This moment we have now, let us not hurry
When our time comes, we shall not tarry
With seven thousand-year-olds, our burden carry”
―
“When I open them, most of the books have the smell of an earlier time leaking out between the pages – a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.”
―
Photography by Dusty St. Amand
Dusty St. Amand is a New York City-based photographer who focuses on male portraiture and events..
Artist site: dusterzdeux (Instagram)
Travis Chantar, “Red Lignt, Green Light”, Photo Shoot of Martin Gregory Jerez
Travis Chantar is a Brooklynn based artist, originally from the mountains of Idaho. Since moving to New York in 2014, Chantar has made a living as a freelance photographer snapping pics of a wide variety of creatives from actors, dancers and musicians to other photographers.
Reblogged with thanks to http://regalpourlesyeux.tumblr.com