Calendar: January 16

Year: Day to Day Men: January 16

The Farm in Early Autumn

The sixteenth of January in 1962 marks the first day of filming for Terence Young’s “Dr. No”, the first film in the James Bond series. Set in London, Jamaica and the fictional Jamaican island of Crab Key, the filming for Ian Fleming’s novel began on location at the Palisaodes Airport in Kingston, Jamaica. The primary scenes shot at that location included the exterior shots of Crab Key and and the city of Kingston.

Fleming had originally written “Dr. No” as a television outline for film producer and author Henry Morgenthau III who wanted to promote the Jamaican tourism industry. When that project did not develop, Fleming met with film producer Harry Saltzman to discuss a screen adaptation. Having reached an agreement with Saltzman, Fleming sold him the rights to all the James Bond novels except “Casino Royale” and “Thunderball” for fifty thousand dollars.

In order to finance the filming of the novels, Harry Saltzman formed a partnership with film producer Albert R. Broccoli. This partnership created two companies: Danjaq which held the rights to the Bond films, and Eon Productions which would handle their production. EON Productions had originally chosen the ninth volume of Fleming’s Bond series, the 1961 “Thunderball”, to be the first adaptation of the Bond films. However , due to a legal battle with the novel’s co-author Kevin McClory, EON Productions decided to film Fleming’s sixth Bond novel, the 1958 “Dr. No”.

After several Hollywood studios passed on the project, United Artists gave Saltzman and Broccoli authorization to produce “Dr. No” with a release date in 1962. Although United Artists agreed to finance “Dr. No”, the studio felt the film was on the same level as Hammer Films productions and was not willing to spend more than one million dollars for the film. United Artist had previously financed British films only to have them fail in U. S. theaters. For the climax scene of the explosion of Dr. No’s base, the producers managed to secure an extra one-hundred thousand dollars from the United Kingdom’s branch of United Artists.

The final choice for director was Terence Young who had previously directed several films for Albert Broccoli’s Warwick Films. In addition to his directorial work, Young made pivotal choices in the development of the James Bond character. Many actors were considered for the role of Bond before Saltzman and Broccoli decided thirty-one year-old Sean Connery would play Bond for first five films of the series. After he was chosen, Connery was taken by Terence Young to Young’s tailor and introduced to the casinos and high life of London. Connery’s role as Jame Bond was officially announced to the media on the third of November in 1961.

Principal photography was completed at the end of March in 1962. Editor Peter R. Hunt used innovative editing techniques of extensive quick cuts, fast motion and exaggerated sound effects on the action scenes to push the fast pacing of the film. Title artist Maurice Binder created the credits which became a signature of all subsequent James Bond films. His highly stylized main title sequence, filmed in sepia by putting a pinhole camera inside the barrel of a .38 calibre gun, and the opening’s music scores became a instantly recognizable symbols of the EON-produced series.

“Dr. No” premiered at the London Pavilion in the northeast side of Piccadilly Circus on the fifth of October in 1962; it was released across the United Kingdom two days later. Although the film did well in the United Kingdom, United Artists were still hesitant to premiere the film in New York City. The first commercial showing in the United States was at Atlanta, Georgia, where it ran successfully for twelve weeks in May of 1963. Despite the successful test run, United Artists did not consider shifting its release strategy. “Dr. No” was next launched in four hundred-fifty theaters in the Midwest and Southwest. The film finally opened in eighteen New York City theaters in June of 1963, nine months after its original premiere.

Notes: Due to the low budget for production, only one sound editor, Norman Wanstall, was hired instead of the usual three or four editors; sets had to be constructed in less-costly ways. The office of M, Chief of the Secret Intelligence Service, contained cardboard paintings and a door covered in leather-like plastic. Scenes involving Dr. No’s aquarium were accomplished by using a rear-projection screen and magnified stock film footage of goldfish-sized fish.

Sound editor Norman Wanstall worked on the first five Bond films and won an Oscar for his sound effects on “Goldfinger”. He created the sound effects for the spinning hat of Goldfinger’s servant Oddjob and for Dr. No’s crushing metal hand.

Calendar: January 15

Year: Day to Day Men: January 15

Southern Edge of the Lake

On the fifteenth of January in 1962, the Derveni papyrus was found at a site in Derveni, Macedonia, northern Greece. Discovered among the remnants of a funeral pyre in the necropolis that belonged to the ancient city of Lete, it is the oldest surviving manuscript in the Western tradition and possibly the oldest surviving papyrus written in Greek regardless of provenance.

The papyrus dates to approximately 340 BC, making it Europe’s oldest surviving manuscript. Composed near the end of the fifth-century BC, its text is a mix of dialects, mainly Attic and Ionic Greek with a few Doric forms. Occasionally the same word appears written in different dialectic forms.

The content of the Derveni papyrus is divided between religious instructions on sacrifices to gods and souls, and an allegorical commentary of a genealogical poem of the gods, ascribed to Orpheus. The identification of the papyrus’s author is a matter of dispute among scholars. Names like Euthyphron of Prospalta, Diagoras of Melos, and Stesimbrotus of Thasos have been proposed with varying degrees of likelihood.

The reconstruction of the papyrus involved the exacting job of unrolling and separating the layers of the charred papyrus roll. The surviving two hundred and sixty-six fragments of the papyrus were conserved under glass in descending order of size; however, due to the existence of unplaced smaller fragments, reconstruction is exceptionally challenging. Modern multispectral imaging techniques were used to take digital microphotographs of the papyrus fragments. From this work, twenty-six columns of text were recovered, all with their bottom parts missing, as they had perished on the pyre.

The Derveni papyrus is now included in the UNESCO Memory of the World Register, a compendium of the world’s documentary heritage, such as manuscripts, oral traditions, audio-visual materials and library and archive holdings. The papyrus is noted in this register as being the oldest known European book.

Note: The Center for Hellenic Studies in Washington DC is the location of the Interdisciplinary Research Project for the Derveni Papyrus. Over the last forty-five years, the text of the papyrus has undergone extensive reconstruction and study. Among the leaders of the Imouseion Project have been Theokritos Kouremenos, George M. Parássoglou, and Kyriakos Tsantsanoglou. A user-friendly copy of the latest reconstruction of the papyrus is now available online at: https://chs.harvard.edu/derveni-papyrus-introduction/

An extensive and informative review written by Patricia Curd of Purdue University on the 2004 publication “The Derveni Papyrus: Cosmology, Theology and Interpretation” written by Hungarian academic Gábor Betegh, the eighth Laurence Professor of Ancient Philosophy at Cambridge University, can be found in the University of Notre Dame’s “Philosophical Reviews” located at: https://ndpr.nd.edu/reviews/the-derveni-papyrus-cosmology-theology-and-interpretation/

Calendar: January 14

Year: Day to Day Men: January 14

Shades of Black and Green

The fourteenth of January in 83 BC marks the birth date of Marcus Antonius who played a critical role in the transformation of the Roman Republic from a constitutional republic into the autocratic Roman Empire.

Born in Rome, Marcus Antonius was the son of Marcus Antonius Creticus and Julia, the daughter of Consul Lucius Julius Caesar and the third-cousin of Gaius Julius Caesar, dictator of the Empire until his assassination in 44 BC. Antonius was a relative and supporter of Julius Caesar and served as a general during the conquest of Gaul and the Civil War of the late Roman Republic. He was appointed administrator to Italy while Caesar eliminated his political opponents in Spain, North Africa and Greece.

There is little reliable information on his younger years. It is known, however, that he was an associate of Publius Clodius Pulcher, a populist Roman politician and street agitator during the First Triumvirate. By the age of twenty, Antonius had accumulated enormous debt and fled to Greece to escape his creditors; during his stay in Greece, he studied philosophy and rhetoric at Athens. Antonius began his military career in 57 BC by joining the military staff of the Proconsul of Syria, Aulus Gabinius, as commander of the calvary. He achieved his first military honors after securing important victories at Alexandrium and Machaerus, both in Jordan.

Antonius’s association with Publius Clodius Pulcher enabled him to achieve prominence in his career. Clodius secured Antonius a position on Caesar’s military staff in 54 BC. Demonstrating military leadership under Caesar, Antonius and Caesar developed a friendship that would last until Caesar’s assassination. It was Antonius who persuaded Proconsul Aulus Gabinius to restore the Ptolemaic pharaoh Ptolemy XII Auletes to the throne of Egypt after Ptolemy’s defeat in a rebellion. With Ptolemy restored as Rome’s client king, Rome exercised considerable power over the kingdom’s affairs. It was during this campaign that Antonius met Ptolemy’s then fourteen year-old daughter Cleopatra.

After a year of military service in Gaul, Caesar sent Antonius to Rome to formally begin his political career as a quaester, or public official, in 52 BC. After a year in office, Antonius was promoted by Caesar to the rank of Legate and was given command of two legions, about seventy-five hundred soldiers. After Caesar’s assassination in 44 BC, Antonius joined with General Marcus Aemilius Lepidus and Galus Octavius, Caesar’s great-nephew, to form the three-man dictatorship known as the Second Triumvirate. This group defeated Caesar’s killers in 42 BC and divided the Republic’s government between themselves. Antonius was assigned Rome’s eastern provinces which included the kingdom of Egypt, ruled then by Cleopatra VII Thea Philopator.

As the members of the Triumvirate sought individual power, relations became strained. Octavius and Antonius averted war in 40 BC when Antonius married Octavia, Octavius’s sister. However despite this marriage, relations were further strained as Antonius continued his love affair with Cleopatra. In 36 BC, Lepidus was expelled from the Triumvirate and a split developed between Antonius and Octavius. This hostility erupted into civil war in 31 BC as the Roman Senate under Octavius declared war on Egypt and proclaimed Antonius a traitor. Later that year, Octavius’s forces defeated Antonius at the Battle of Actium. Cleopatra and Marcus Antonius fled to Egypt where, after losing the Battle at Alexandria in 30 BC, these two historic figures committed suicide.

Roman statesman and orator Cicero Minor, a leading figure of the Roman Republic, announced Antonius’s death to the Senate. Antonius’s honors were revoked and his statues removed; however he was not subject to a complete condemnation of memory, damnatio memoriae. A decree was made that no member of the Antonii family would ever bear the name of Marcus again. Married four times, Marcus Antonius had many descendants and was ancestor to several famous Roman statesmen. Through his lover, Cleopatra VII, he had two sons and a daughter Cleopatra Selene II through whom Antonius was ancestor to the royal family of Mauretania, another Roman client kingdom.

Notes:Cleopatra VII Thea Philopator was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC and its last active ruler. She was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. The Ptolemaic pharaohs, crowned by the Egyptian high priest of Ptah at Memphis, resided in the multicultural and largely Greek city of Alexandria founded by Alexander the Great. Previous Ptolemaic pharaohs spoke only Greek and ruled as Hellenistic monarchs. Cleopatra could speak multiple languages by adulthood and was the first Ptolemaic ruler known to have learned the Egyptian language. Contrary to popular belief, Cleopatra VII did not commit suicide by a bite from an asp but rather through poison.

Calendar: January 13

Year: Day to Day Men: January 13

Armand: Old English

The thirteenth of January in 1886 marks the birth date of Russian-born American entertainer Sophie Tucker who was known for her forceful delivery of comical and risqué songs. She received billing as ‘The Last of the Red-Hot Mammas’ due to the frequent sexual subject of her songs, an unusual topic for female performers after vaudeville’s decline. Tucker became one of the most popular entertainers in the United States during the first half of the twentieth-century.

Born Sofiya Sonya Kalish to a Jewish family in Tulchyn of the Russian Empire, Tucker immigrated to the United States with her family in September of 1887. The family settled in Boston for eight years and then relocated to Hartford, Connecticut where they opened a restaurant. In 1903 at the age of seventeen, Sofiya eloped with Louis Tuck and two years later gave birth to her son Albert. The couple separated after the birth and later divorced in 1913. After leaving her son with her parents, Tucker found work in New York City’s cafés and beer gardens where she sang for food and received tips from customers; most of her earnings were sent to her family for her son’s support.

Sophie Tucker made her first theatrical appearance at a vaudeville venue’s amateur night. A heavy-weight person, she added weight-related humor and songs to her acts. In 1909, Tucker performed in the Ziegfeld Follies and was noticed by William Morris, a theater owner and the future founder of Hollywood’s William Morris Talent Agency. Two years later, she released her first recording of Shelton Brooks’s “Some of These Days” which soon became her signature song; her 1926 version sold a million copies and stayed number one for five weeks. In 1921, Tucker hired songwriter and pianist Ted Shapiro as her musical director and accompanist. He would remain with Tucker for her entire career and often exchanged jokes with her between musical numbers.

Tucker became friends with Mamie Smith, the first African-American woman to make a blues recording, and Ethel Walters, who became the highest paid African-American recording artist at that time. It was Walters who introduced Tucker to jazz, a music form Tucker later introduced to her white vaudeville audiences. In 1925, lyricist Jack Selig Yellen wrote “My Yiddishe Momme” which became another of Tucker’s signature songs. Now a successful singer, Tucker’s fame spread to Europe and she began a tour of England which culminated in a performance at the London Palladium for King George V and Queen Mary.

In 1926 Sophie Tucker re-released her hit song “Some of These Days”. It sold over one million copies and was awarded a gold disc by the Recording Industry Association of America. Tucker made her film debut in 1929 with a lead role in Lloyd Bacon’s Pre-Code musical film “Honky Tonk” which featured a number of her famous songs. This early feature sound film is now considered lost, only the Vitaphone soundtrack and its trailer still exist. When vaudeville was becoming passe in the early 1930s, Tucker turned to nightclubs where she could continue to perform for live audiences.

During 1938 to 1939, Tucker had her own radio show on CBS, “The Roi Tan Program with Sophie Tucker” and made numerous appearances on such programs as “The Radio Hall of Fame” and “The Andrews Sisters’ Show”. In 1945, she created the Sophie Tucker Foundation, which supported various actors’ guilds, hospitals, synagogues, and Israeli youth villages. Tucker appeared on many popular talk and variety shows in the 1950s and 1960s among which were “The Tonight Show” and “The Ed Sullivan Show”.

Sophie Tucker served from 1938 to 1939 as president of the American Federation of Actors, an early trade union originally for vaudeville and circus performers that expanded to include nightclub performers. She continued to perform for the rest of her life with several tours to England; her singing at the Royal Variety Performance aired on the BBC. Tucker’s last television appearance was the color broadcast of the October 3, 1965 “Ed Sullivan Show” in which she sang “Give My Regards to Broadway” and her signature song “Some of These Days”.

Tucker died of lung cancer and kidney failure in February of 1966, at the age of eighty, in her New York, Park Avenue apartment. She had played shows at New York’s Latin Quarter just weeks before her death and had two years of engagements planned. Tucker is buried in Emanuel Cemetery in Wethersfield, Connecticut.

Note: Sophie Tucker’s 1926 version of “Some of These Days”, which featured Ted Lewis and His Band, can be found by entering the title in the search box.

Calendar: January 11

Year: Day to Day Men: January 11

The Stucco Effect

The eleventh day of January in 1494 marks the death of Italian Renaissance painter Domenico Ghirlandaio from pestilential fever at the age of forty-five.

Born in June of 1448 in Florence, Domenico di Tommaso Curradi di Doffo Bigodi was part of the third generation of Florence Renaissance painters among whom were Sandro Botticelli, Andrea de Verracchio, and the Pollaiolo brothers, Antonio, Piero and Simone. Bigodi was known professionally by the name Domenico Ghirlandaio.

Domenico Ghirlandaio received his initial training as an apprentice in his goldsmith father’s workshop where he often made portraits of the shop’s visitors. Ghirlandaio was later apprenticed to painter Alesso Baldovinetti for training in painting and mosaic work. In Florence, he was apprenticed at the workshop of sculptor and painter Andrea de Verracchio and maintained close associations with both Boticelli and the Umbrian school painter Pietro Perugino, who became the teacher of painter and architect Raffaello Sanzio da Urbino, known as Raphael.

Ghirlandaio is predominantly known for his fresco work in which he excelled and a number of important works executed in tempera. Among his fresco works are two depicting the miraculous events at the death of Saint Fina for the city of San Gimignano’s Chapel of Santa Fina; “St. Jerome in His Study”, a companion piece to Botticelli’s “Saint Augustine in His Study” in Florence’s Church of Ognissanti; and several frescoes depicting popes and Biblical scenes at the Palazzo Vecchio.

In 1481, Domenico Ghirlandaio was summoned to Rome by Pope Sixtus IV as part of a team of Umbrian and Florentine painters to create a series of frescoes on the walls of the Sistine Chapel. The foremost of his work there was “The Vocation of the Apostles” that depicts the Gospel narrative of Jesus calling Peter and Andrew to become his disciples. Between 1482 and 1485, Ghirlandaio painted a fresco cycle for the Sassetti Chapel of Santa Trinita that was commissioned by Medici banker Francesco Sassetti and Giovanni Tornabuoni, who later became Ghirlandaio’s patron.

In 1485, Ghirlandaio painted “Adoration of the Shepherds” for the Sassetti Chapel’s altarpiece. Ghirlandaio worked on the Santa Maria Novella, the family chapel of the Ricci family, from 1485 to 1490. For the family, he produced frescoes depicting the lives of the Virgin Mary and St. John the Baptist. In addition to this fresco cycle, he painted no fewer than twenty-one portraits of the Tornabuoni and Tornaquinci families, who provided the finances for the chapel’s restoration.

Domenico Ghirlandaio had a large workshop which included his two brothers, Davide and Benedetto, his brother-in-law Bastiano Mainardi, and later his son Ridolfo, who also became a painter. He had many apprentices over the years, among whom was Michelangelo. Although Ghirlandaio had a long line of descendants, the family name died out in the seventeenth century, when its last members entered monasteries.

Calendar: January 9

Year: Day to Day Men: January 9

Betty Boop Coffee

On the ninth of January in 1839, French painter and physicist Louis Daguerre presented a full description of his daguerreotype process to a meeting of the Academy of Sciences held by the eminent astronomer and physicist François Arago, the man who proved the wave theory of light.

The first permanent photograph from nature was made by French inventor Nicéphore Niépee in 1826 through his heliographic process; however, the quality of the image was poor and the process required an exposure time of eight hours. Daguerre’s daguerreotype process, the first practical process of photography, improved the quality of the image and reduced to exposure time to thirty minutes.

Born in Cormeilles-en-Parisis, in November of 1787, Louis Daguerre apprenticed in theater design, architecture and panoramic painting under Pierre Prévost. He was originally a revenue officer and later a scene painter for opera sets. In 1822, Daguerre opened the Diorama, an exhibition venue in Paris which presented three-dimensional pictorial views that changed with various lighting effects. He later opened a second establishment in London’s Regent Park.

Born in Chalon-sur-Saône in March of 1765, Nicéphore Niépee initially began experimenting in 1813 in the recently developed printing technique, lithography. Unskilled in drawing and unable to obtain a proper lithographic stone, he sought a way to make images automatically. Niépee made experiments and developed the heliographic process of using light and light-sensitive supports to produce images. He initially used a substrate of light-sensitive bitumen of Judea, which hardened on exposure to light, to obtain an image on glass. With the use of a camera in 1826, he was able to fix an image on a metal plate made of pewter. However, Niépee was unable to reduce the exposure time by either optical or chemical means.

In 1829, Nicéphore Niépee agreed to the repeated requests by Louis Daguerre for a partnership to perfect and exploit his heliography process. After four years of working without any advancement, Niépee died in July of 1833. Deguerre, building upon Niépee’s discoveries, eventually succeeded in greatly reducing the exposure time. He also discovered that exposing an iodized silver plate in a camera would result in a lasting image if the latent image on the plate was developed by exposure to fumes of mercury and then made permanent by a solution of common salt.

For this discovery, Louis Daguerre was appointed an officer of the Legion of Honor. In 1839, he and the heir of Nicéphore Niépee were assigned annuities of six-thousand and four-thousand Francs, respectively, in return for their photographic process.

Notes: Lithography was invented circa 1796 in Germany by the Bavarian playwright Alois Senefelder. By chance, he discovered the ability to duplicate his scripts by writing then in greasy crayon on slabs of limestone and them printing them with rolled-on ink. As the local limestone retained the crayon marks on its surface, multiple images, called lithographs meaning in Latin stone marks, could be printed in large quantities. It was not until 1820 that lithography became commercially popular.

Calendar: January 8

Year: Day to Day Men: January 8

Man on Deck

The eighth of January in 1877 marks the Battle of Wolf Mountain, known by the Northern Cheyenne as the Battle of Belly Butte, a confrontation between the United States Army and warriors from both the Lakota Sioux and Northern Cheyenne. Occurring during the Great Sioux War of 1876, the battle was fought in southern Montana Territory near the Tongue River.

Following Lieutenant Colonel George Custer’s defeat in the Battle of Little Bighorn, a large number of Army reinforcements were sent by the government into the Montana Territory. In autumn of 1876, a few bands of Sioux and Cheyenne tribes were returning to the reservations and agencies, now managed by the army instead of civilian contractors, to acquire food and annuity goods for the winter. These provisions had been promised to the tribes after the government demanded that they cede the Black Hills area to it.

By December, General Nelsen Miles had led a mixed force of infantry, artillery and calvary after Hunkpapa Lakota leader Sitting Bull’s band and effectively defeated them. Colonel Ranald S. Mackenzie defeated the Northern Cheyenne under Chief Morning Star after a destructive raid, known as the Dull Knife Fight, that left two hundred lodges destroyed, seven hundred livestock captured, and most of the Cheyenne forced to surrender. The surviving warriors trekked through snow and icy conditions to join the camp of Chief Crazy Horse in the Tongue River Valley.

Concerned about the approaching winter and the situation of the remaining Cheyenne band, Chief Crazy Horse decided to negotiate a peace with the army. However, a group of United States Army Crow scouts murdered Crazy Horse’s delegation. In retaliation, a series of small raids by the Cheyenne tried to draw out Colonel Nelson Miles’s troops from the Tongue River army post. In December of 1876, Miles led most of nine companies from the army post in pursuit of Crazy Horse at Tongue River Valley. On the seventh of January, Miles captured a few Northern Cheyennes and camped with a force of four hundred-thirty six men along the Tongue River. That night fresh snow fell and the temperatures dropped.

After early morning shots were fired. Colonel Miles set up a defensive perimeter along a ridge on the knoll later called Battle Butte. The defensive position had two pieces of artillery beside it and a clear line of fire in front. At seven in the morning, Crazy Horse and Cheyenne Chief Two Moon began a series of attacks. Due the the army’s firepower, the warriors had to regroup and attack several times; however, these attacks failed when Miles shifted his reserves. Miles’s Fifth Infantry units struggled to take the hills occupied by the warriors; despite the deep snow, the units secured seven of the hills, forcing the Sioux and Cheyenne to withdraw.

Although a draw in many aspects, the Battle of Wolf Mountain was a strategic victory for the U.S. Army as the Sioux and Cheyenne saw they were not safe from the army even in winter’s harsh conditions. Many members of the tribes returned to the reservations. By May of 1877, Chief Crazy Horse had led his surviving band to Camp Robinson to surrender.

Notes: Chief Crazy Horse was a Lakota war leader of the Oglala band; his Lakota name was Tȟašúŋke Witkó, literal translation “His Horse is Crazy”. After his surrender, he resided in his village near the Red Cloud Agency, located by Fort Robinson, Nebraska. Crazy Horse had promised he would remain in peace with the army. Due to mistranslation by an Indian interpreter, the army felt that he was a threat and eventually arrested and placed in the guardhouse. Once inside, Crazy Horse attempted to escape and was stabbed with a bayonet by one of the guards. He was tended by the assistant post surgeon but died late on the night of September fifth in 1877. The identification of the guard remains questioned. Crazy Horse’s remains were handed over to his elderly parents; his final resting place remains unknown.

Chief Morning Star was a great chief of the Northern Cheyenne people and the headchief of the Notameohmésêhese band on the northern Great Plains. Known also as Chief Dull Knife, his Lakota Sioux name was Tȟamílapȟéšni. He died in 1883 and is interred at Lame Deer Cemetery on the Northern Cheyenne reservation in southeastern Montana.

Calendar: January 7

Year: Day to Day Men: January 7

Sending a Message

The seventh of January in 1927 marks the placement of the first official transatlantic telephone call. The call, transmitted by radio waves, was held between Walter S. Gifford, the President of the American Telephone and Telegraph Company (AT&T), and Sir Evelyn P. Murray, the head of the British General Post Office.

The telephone call between Walter S. Gifford in New York City and Sir Evelyn P. Murray in London was a shared communication of prepared statements on the significance of the new technology with regards to facilitating business and fostering better understanding. The line was then opened for personal and business-related calls. By the day’s end, a news dispatch had been sent from Europe to America and over six million dollars worth of business had been transacted. The Gifford-Murray call was recorded for its historical significance and resides in the collection of the Library of Congress, Washington DC.

Before the telephone, long distance communication was conducted through letters, early models of fax machines, and telegraphs. Over a period of several years, the telephone was developed by inventors and businessmen; however, the definitive inventor of the telephone is still a matter of controversy. In 1840, American electrical experimenter and professor Charles Grafton Page discovered a way to use electricity passing through a wire to make sound. During the 1850s, Italian inventor Antonio Santi Giuseppe Meucci developed a voice-communication apparatus that connected his Staten Island, New York, laboratory to his second-floor bedroom.

In 1871, Antonio Meucci submitted a patent caveat, the required legal document, for his telephonic device to the United States Patent Office; however, there was no mention of electromagnetic transmission of voice sound in his granted patent request. In 1876, Scottish-born Canadian-American inventor Alexander Graham Bell was granted a patent for the electromagnetic transmission by vocal sound through undulatory electric current. Elisha Gray, an American electrical engineer who co-founded the Western Electric Manufacturing Company, also played an important part in the development of the telephone with his creation of the liquid transmitter, an important component of Alexander Graham Bell’s patent.

On the morning 14th of February in 1876, Elisha Gray’s lawyer submitted to the U.S. Patent Office a signed and notarized patent caveat that described a telephone using a liquid transmitter. In the same morning, a lawyer for Alexander Graham Bell submitted Bell’s application. The question of whose patent application had precedence became controversial. When proof of Bell’s invention of the liquid transmitter idea was required, Bell pointed to an earlier application which used mercury as a circuit breaker. This argument was accepted as proof even though mercury would not have worked in a telephone transmitter. Bell’s amendment to his claim enabled him to acquire U. S. patent 174, 465 on the 7th of March in 1876 for the invention of the telephone.

Calendar: January 6

Year: Day to Day Men: January 6

Just Slightly Peeking

On the sixth of January in 1501, construction began on Portugal’s Jerónimos Monastery in the parish of Belém of the Lisbon Municipality. This monastery became the necropolis of the Portuguese royal dynasty, the House of Aviz, in the sixteenth-century until its secularization in December of 1833 by state decree. Its ownership was then transferred to the Real Casa Pia de Lisboa, a charitable institution.

The Jerónimos Monastery was designed by architect Diogo de Boitaca, an influential architect and engineer of some of the most important buildings in Portugal. In this church, he continued his concept of a nave, the central part of the church, and two side aisles of equal height which unified the inner space as in a hall church. The richly ornate vaulting in the main chapel shows ribs with the shape of a twisted rope, a common theme of the Manueline style which incorporated maritime elements. The Jerónimos Monasteryis considered the most prominent of the late Portuguese Gothic Manueline style of Lisbon architecture.

The Jerónimos Monastery was erected near the Tagus River launch point of Vasco de Gama’s first journey; its construction was funded by a five percent tax on the profits of the yearly Portuguese India Armadas. With the influx of such riches as imported spices and the redirection of funds from other proposed monasteries, Diogo de Boitaca was not limited to small-scale plans. He chose calcário de lioz, a gold-colored limestone for its construction. During his span of overseeing the construction, De Boitaca was responsible for drawing the plans and contracting work on the monastery, the sacristy and the refectory.

Architect Juan de Castillo succeeded Diogo de Boitaca in 1517. He moved from the Manueline to the Spanish Plateesque style, an ornamentation that included decorative features constructed of silverware, plata. With the death of King Manuel I, construction halted until 1550, at which time architect Diogo de Torralva was in charge. He was followed by Jérôme de Rouen who added some classical elements. Throughout the following years, construction was halted several more times before the monastery’s completion, a span of work that lasted over one hundred years.

The Jerónimos Monastery became in 1640 a burial place for the Portuguese royal families. Among those entombed within the monastery were four of the eight children of John IV, King Alfonso VI, the Infanta Joana, and Catarina de Bragança. In 1880, Portuguese explorer Vasco da Gama’s remains and those of poet Luís de Camões, who wrote “The Lusiad, a celebration of da Gama’s first voyage, were moved to newly carved tombs in the monastery’s nave, just a few feet from the tombs of Kings Manuel I and John III, who da Gama served. The monastery is classified as a UNESCO World Heritage Site.

Calendar: January 4

Year: Day to Day Men: January 4th

Red and White Squares

Born on January 4th of 1809, Louis Braille was a French educator and inventor. He was the youngest of four siblings bor to Simon-René and Monique Braille who maintained a successful enterprise for leather goods and horse tack. At the age of three, Louis Braille was playing with his father’s tools in the workshop; an awl that he was using slipped and penetrated one of his eyes. No treatment was able to save the damaged organ and eventually lost sight in the other eye by the age of five, most likely due to sympathetic ophthalmia.

Braille was raised by his parents in a normal fashion and prospered in their care. He navigated the village and paths with canes fashioned by his father. Braille’s intelligence and creative mind impress the local teachers and priests who assisted him with higher education. In February 1819 at the age of ten, he entered Paris’s Royal Institute for Blind Youth which provided a stable environment for blind children to associate and learn. There the students were taught to read by a system devised by the school’s founder Valentin Haüy. The books in the small library used embossed heavy paper with raised imprints of Latin letters which could be traced with fingers.

These books however were in uncomfortable sizes and weights, fragile and expensive to obtain. While the blind children could read the letters by touch, there was no process by which the children could write by themselves. Louis Braille read Haüy’s books repeatedly and was attentive to the oral instructions offered by the school. After he exhausted the school’s curriculum, he was asked to remain as a teacher’s aide and, by 1833, was elevated to a full professorship. For the rest of his life, Braille stayed at the Institute and taught history, geometry and algebra.

In 1821, Braille discovered a system devised by Charles Barbier, a code of up to twelve dots in two columns, impressed into thick paper. These impressions could be read entirely by the fingers. Inspired, Braille developed a system of his own, a system of reading and writing that could bridge the gap in communication between the sighted and the blind. His system was largely completed in 1824, when he was fifteen years old. Braille’s first version, published in 1829, used both dots and dashes in uniform columns of six dots for each letter. In 1837, he discarded the dashes as too difficult to read; the resulting small cells were capable of being recognized as letters with a single touch of a finger. Braille’s system was later extended to include braille musical notation.

Louis Braille published several written books on braille and educational books for the blind. In 1939, he created the decapoint, a systematic method of dot-punching with a specialized grill which overlaid the paper. With the use of an associated number table, which he devised, the grill permitted a blind writer to faithfully reproduce the standard alphabet. With the assistance of his friend Pierre-François-Victor Foucault, Braille helped develop the Raphigraphe, a device that could emboss letters in the manner of a typewriter.

Although respected by his pupils, Braille’s writing system was not taught at the Institute during his lifetime. The successors of Haüy who died in 1822 were hostile to its use. Suffering through sixteen years with a persistent respiratory illness believed now to be tuberculosis, Braille relinquished his teacher position at the age of forty. He was eventually admitted to the infirmary at the Royal Institution when his condition reached mortal danger. He died in January of 1852, two days after he reached forty-three years. Due to the insistence of the blind students, Braille’s system was finally adopted by the Institute in 1854, two years after his death.

Calendar: January 1

A Year: Day to Day Men: 1st of January

Being Yourself

Born on January 1st in 1735 (modern calendar) in the city of Boston, Paul Revere was an American silversmith, engraver, early industrialist, and a member of the Sons of Liberty. He is best known for his April 1775 midnight ride to alert the local colonial militia to the approach of the British forces. This event later became popularized by the publication of poet Henry Wadsworth Longfellow’s 1861 “Paul Revere’s Ride”.

The second of eleven children, Paul Revere left school at the age of thirteen and became an silversmith apprentice at the workshop of his father, Apollos Riveire whose work is now housed in the collections of Boston’s Museum of Fine Arts and the De Young Museum. Through the silversmith trade, Paul Revere made many connections across British society, which aided him when he became active in the American Revolution. Too young to officially be the master of the family silver shop after his father’s death in 1754, Revere enlisted in the provincial army in February of 1756.

Commissioned a second lieutenant in the artillery regiment, Revere spent the summer of 1756 at Fort William Henry at New York’s Lake George. He did not stay long in the army; he returned to Boston and took control of the silver shop in his own name. Revere married Sarah Orne on the fourth of August in 1757. Together they had eight children of whom two died young. Revere’s business started to suffer when the British economy entered a recession due to the Seven Year’s War, a global conflict that involved most of Europe’s great powers. With the enactment of the Stamp Act of 1785 by the British government, the Massachusetts economy made a further downturn.

Paul Revere did not participate in the more raucous protests against the policies of the British government; but he did become in 1765 a member of the Sons of Liberty, a loose organization active in the American colonies to advance the rights of colonists and fight taxation by the British government. From 1765 onwards, Revere produced engravinga and other artifacts with political theme, among which was one depicting the Boston Massacre in March of 1770. From 1773, the year of the Boston Tea Party, to November of 1775, he served as a courier for the Boston Committee of Public Service, a service in which he reported to New York and Philadelphia on the political unrest in Boston.

In 1774, General Thomas Gage, the military governor of Massachusetts, dissolved the provincial assembly, closed the port of Boston, and forced private citizens to provide lodging in their homes for British soldiers. At this time, Revere began meeting with others to coordinate the gathering and dissemination of intelligence on the movements of British soldiers. In December of 1774, a false alert prompted him to ride to Portsmouth, New Hampshire to warn its citizens of a British troop landing. This ride later sparked a rebel success with a gunpowder supply raid at Fort William and Mary in Portsmouth.

Paul Revers’s famous midnight ride was an alert to the American colonial militia in April of 1775 as to the approach of British forces. The ride occurred on the night of April 18th immediately before the first engagements of the American Revolutionary War. When activity by the British Army indicate a crackdown on the Massachusetts Provincial Congress, Rever and William Dawes prepared the alert. Robert Newman used a lantern to alert colonist in Charlestown to the Army’s advance of the Charles River.

Revere and Dawes rode ten miles to meet John Hancock and Samuel Adams in Lexington, a ride which alerted forty other riders along the way. Revere and Dawes, along with Samuel Prescott rode on to Concord. The three riders were captured by the British in Lincoln. Dawes and Prescott escaped but Revere was returned to Lexington and eventually freed after questioning. By giving the colonists advance waring of the British Army’s movement, the ride played a crucial role in the colonists’ victories in subsequent battles.