Mike Fudge

Mike Fudge, “Kuba Dunny”, Dark Version, New Release by KidRobot

“I think of Kuba as a sculpted figure created by a member of this imaginary tribe”, says Fudge of his totemically styled Dunnydecoration. Noting that the piece’s title “comes from the human-like bear characters I often name Kub”, Fudge explains that the “story of Kuba relays that the figure has been uncovered in ancient sites all over the world, suggesting there is a connection and contact [between these cultures] that we knew nothing of previously”. And if “all these cultures had previous contact amongst each other”, the artist ponders of his piece’s fictional backstory, “then maybe there is something we have yet to find out about their ability to communicate or travel”.

As a potential answer to his own hypothetical question, Fudge muses that maybe “it was Kuba who allowed these ancients to transcend the laws of the universe and spread what seemed like impossible knowledge to every corner of the earth”. But the powers accredited to Kuba don’t end there, according to its creator. The “dark version of Kuba“, which is limited to 1300 pieces worldwide, “can bring upon its owner the ability to see into the future and peer into the past”, says the artist.

https://www.kidrobot.com/collections

Anselm Kiefer

Anselm Kiefer: Paintings from the “Walhalla” Series

Anselm Kiefer, a German painter and sculptor, was born in 1945 and grew up playing in the rubble of postwar Germany, a childhood that has had a huge effect on his life and art. He studied with Joseph Beuys and Peter Dreher during the 1970s. He works incorporating materials into his work, such as straw, ash, clay, lead and shellac. The poems of Paul Celan, whose works were also affected by the horrors of the war, played a role in developing Kiefer’s themes of German history and the horror of the Holocaust.

Alexandre Dumas: “Space has No More Distance”

Monday Evening: Ten Daydream Images for the Short Work Week

“Nothing makes time pass or shortens the way like a thought that absorbs in itself all the faculties of the one who is thinking. External existence is then like a sleep of which this thought is the dream. Under its influence, time has no more measure, space has no more distance.”
― Alexandre Dumas, The Three Musketeers

Ray Bradbury: “Where the Hills Are Fog, and the Rivers Are Mist”

Photographers Unknown, Ten Black and White Moments

“That country where it is always turning late in the year. That country where the hills are fog and the rivers are mist; where noons go quickly, dusks and twilights linger, and midnights stay. That country composed in the main of cellars, sub-cellars, coal-bins, closets, attics, and pantries faced away from the sun. That country whose people are autumn people, thinking only autumn thoughts. Whose people passing at night on the empty walks sound like rain.”

― Ray Bradbury

 

Josiah Bancroft: “Formed in the Ether of Emotions and Dreams”

Photographers Unknown, A Collection of Images Formed in the Ether

“But what was excruciating at first turned cathartic the more he talked. In telling his story, he discovered that he had developed definite ideas about his own motives and decisions. These ideas seemed to have formed in the ether of emotions and dreams, that wooly fog that lay outside the footlights of the conscious mind. They were not large revelations, but were rather like the little epiphanies one suffers and enjoys over a morning cup of tea.” 

—Josiah Bancroft, Arm of the Sphinx

Oacar Wilde: “”Corrupt Without Being Charming”

Photographers Unknown, Beguiling the Senses and Enchanting the Mind: Photo Set Three

“Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty.… That is all.”

-Oscar Wilde, The Picture of Dorian Gray