The Artwork of John Eric Broaddus
Born in New York in 1943, John Eric Broaddus was an artist who worked in several mediums including painting, illustration, and performance art. He was one of the prominent figures of the New York City art scene throughout the 1970s and 1980s.
John Eric Broaddus was one of the most creative and innovative artist to approach the book form. He was a pioneer in the field before the book, as a physical art piece, became an accepted genre of the contemporary art world. Not concerned with the integration of text and image, Broaddus used the pages of books as scaffolds for his colored, cut-out visual esthetic effects. His work is different from other book artists as his creations are unique, not limited editions or multiples.
Broaddus’s 1979 “Meridian Passage” is a volume of hand painted pages in acrylic, tempera, watercolor and ink combined with abstract cut-outs. This volume is in the collection of the Fine Arts Museums of San Francisco, Legion of Honor. Broaddus’s 1982 “Xylocaine” was a volume whose pages were altered with acrylic, ink, glitter, tempera and watercolor and then overlaid with cut-out xeroxes. “Xylocaine” was the first artist book purchased by Robert and Ruth Sackner, prominent collectors who had previously focused on collecting only works of concrete and visual poetry.
John Eric Broaddus’s 1983 “France I” was constructed from a found geographical codex of over a hundred pages that was altered with paint, ink, colored pencil, glitter and sculptural cuttings. Through the use of clever cutting, a photograph of children would appear on the other side of the leaf as a gigantic statue within a dark blue abstraction. For his two-volume 1985 “Above the Trees”, Broaddus used two identical books with spray-painted pages on which were added stuck-on images, drawings and intricately cut-out shapes. This work’s elaborate, vividly-colored and highly sculptural pages demonstrated his interest in both detail and drama.
Broaddus was known for his theatrical scene sets, among which were those for the Provincetown Playhouse’s 1988 production of Justin Ross and John Epperson’s “I Could Go on Lip-Synching”. However, he was better known for the highly original costumes, constructed of found objects, that he wore for his art performance work. Broaddus would appear in his costumes on the streets of New York and in such iconic places as Studio 54 and Xenon, two of the city’s most famous nightclubs. In November of 1974, he made an appearance in a white oriental costume, carrying a bamboo umbrella, at avant-garde artist Charlotte Moorman’s 11th Avant-Garde Festival held at Shea Stadium in the New York borough of Queens.
A vibrant and pioneering artist who contributed to the artistic history of New York City, John Eric Broaddus died from AIDS at the age of forty-seven in 1990. His artwork is housed in many private collections and the world’s major art institutions including London’s Victoria & Albert Museum, Spain’s National Library in Madrid, and the Seibu Museum in Tokyo, among others.
A limited edition artist book, entitled “Spin 1/2 : Books, Paintings and Memorabilia by John Eric Broaddus” was published in conjunction with the 1990 exhibition of his work at the Center for Book Arts on 27th Street in Manhattan. In addition to its multi-colored silkscreen illustrations, a forward introduction was written by Jan van der Wateren, the Keeper and Chief Librarian of the National Art Library at London’s Victoria and Albert Museum.
The award-winning short documentary “Books of Survival: The Art of John Eric Broaddus” was produced and directed by Gabriella Mirabelli under a grant from the National Endowment for the Arts. Released in 2000 with screenings worldwide, the film reconstructs the artist’s life through intimate interviews with close friends, family and collectors of his art.
Notes: A collection of John Eric Broaddus’s papers, reviews of his work, interviews, symposium records, and memorabilia are housed in the ArchivesSpace at the University of Iowa. Correspondence and artist greeting cards are contained in the Archival and Manuscript collection of Northwestern University’s McCormick Library.
Top Insert Image: Photographer Unknown, “John Eric Boarddus”, Date Unknown, Gelatin Silver Print, Estate of John Eric Boarddus
Second Insert Image: Photographer Unknown, “John Eric Boarddus in Costume”, Date Unknown, Gelatin Silver Print, Estate of John Eric Boarddus
Bottom Insert Image: Photographer Unknown, “John Eric Broaddus, 11th Avant-Garde Festival, Queens, New York”, 1974, Color Print, Mixed Media Performance Documentation, Estate of John Eric Broaddus
