Alfred Hitchcock, “The Lodger”: Film History Series

Alfred Hitchcock,“The Lodger”, 1927, Cinematography Gaetano di Ventimiglia, Woolf & Freedman Film Service

The Lodger, the silent film that Hitchcock directed in 1927, is generally acknowledged to be the one where he properly found his “voice”: that distinctive combination of death and fetishism, trick shots and music-hall humour, intense menace and elegant camerawork that assured his place among cinema’s giants.

The material, drawn from a novel by Marie Belloc Lowndes, is rather obviously inspired by the Jack the Ripper murders; they were still within living memory. Hitchcock himself claimed later that producing studio Gainsborough, including Michael Balcon, ordered him to remove any ambiguity that the central character, the mysterious room-renter of the title, might be guilty of the crimes himself, instead of simply the innocent victim of false suspicion.

David Hockney

David Hockney, “Man In Shower in Beverly Hills”, 1964, Acrylic on Canvas, 166.4 x 166.4 cm

Hockney formed his first impressions of Los Angeles from books and magazines he read before he visited the city. While still in London in 1963, he painted an invented shower scene, “Domestic Scene, Los Angeles”, now in a private collection, which included an image of two men taken from the homoerotic American magazine ‘Physique Pictorial’.

When Hockney went to Los Angeles six months later, he was particularly fascinated by the use of water for irrigation and recreation in the semi-arid environment. He delighted in experimenting with various methods of depicting drops and sprays of water, attracted by the ‘idea of painting moving water in a very slow and careful manne. Hockney painted swimming pools and lawn sprinklers, but was equally intrigued by showers.

“Americans take showers all the time … For an artist the interest of showers is obvious: the whole body is always in view and in movement, usually gracefully, as the bather is caressing his own body. There is also a three-hundred-year tradition of the bather as a subject in painting. Beverly Hills houses seemed full of showers of all shapes and sizes … They all seemed to me to have elements of luxury.” – David Hockney

Ai Weiwei

Ai Weiwei, “He Xie (River Crab)”, 2010, Porcelain

The installation “He Xie” consists of 3,200 porcelain crab sculptures. They were created after Chinese authorities ransacked and destroyed Weiwei’s studio in 2010. Following that event, a feast of real river crabs was hosted by Weiwei, who was unable to attend, due to his house arrest. The term “He Xie” is a homophone for “harmonious” in Chinese and has also become a term for internet censorship.

Calendar: November 11

A Year: Day to Day Men: 11th of November

Natural State of the Wilderness

November 11, 1868 was the birthdate of French painter Jean-Édouard Vuillard.

Jean-Édouard Vuillard was born in Cuiseaux, France, where he spent his youth until his family in 1878 moved to Paris. At the age of sixteen, he received a scholarship to continue his education. Vuillard attended the Lycée Condorcet, one of the four oldest high schools in Paris and the most prestigious. There he met Ker Xavier Roussel, a fellow artist who became a friend, Maurice Denis, the musician Pierre Hermant, and the writer Pierre Verber.

Vuillard left the Lycée Condorcet in 1885, and on the advice of his closest friend Roussel, he refused military service; he then joined Roussel at the studio of painter Diogene Maillart to study painting. Vuillard studied also at both the Académie Julian and the L’École des Beaux-Arts in the period between 1886 and 1888.

In 1890, after meeting the avant-garde painters Pierre Bonnard and Paul Sérusier, Vuillard joined Les Nabis, a group of art students inspired by the synthetism of Henri Paul Gauguin. Vuillard contributed to the exhibitions of the group and shared a studio with Bonnard and Maurice Denis, whose later work was associated with the Symbolist movement.

After traveling around Europe and painting, Vuillard had his first exhibition at the Salon des Artistes Indépendants in 1901 and, two years later, had an exhibition at the first annual Salon d’Automne in Paris. This massive exhibition was a reaction against the conservative policies of the official Paris Salon and received wide support from artists such as Renoir, Matisse, and Auguste Rodin. After this Vuillard received many commissions for his paintings and graphics.

Jean-Édouard Vuillard painted his first decorative frescoes for the house of Mme Desmarais in 1892. He later fulfilled many other commissions of this kind, leading up to more prominent works; the Théâtre des Champs-Élysées in 1913; the Palais de Chailot in Paris, which he executed with Pierre Bonnard in 1937; and in 1939 the Palais des Nations in Geneva, working with fellow artists Roussel, Denis, and Chastel.

On November 13, 2017, “Misia et Vallotton à Villeneuve” painted in 1899 became the most valuable Vuillard sold at auction when it achieved $17.75 million at Christie’s. It is now in a private collection.

Maskulo

Maskulo

Maskulo, founded in 2014,  is an openly gay-owned and gay-oreinted festish gear company for men. They design, manufacture and ship their creations worldwide. Their gear, made of neoprene, lycra, latex and spandex, are available in  a wide range of articles, including leggings, wrestling singlets, shorts, t-shirts, tank tops, jockstraps, boxer briefs, and other accessories.

Maskulo was founded by Artem Smyslov and Bulat Barantaev who both support democratic movements in Russia, with emphasis on support for gay movements. These incllude the Russian democratic “Solidarnost” movement, the civil movement “Za Prava Cheloveka” (Movement for Human Rights), and GORD ( Movement for Gays, Relatives, and Friends).

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