Mark Rothko, Untitled, 1941-1942, Oil on Canvas, 61 x81 cm, National Gallery of Art, Washington DC
Author: ultrawolvesunderthefullmoon
Michael Hoffman
Sven Fennema

Sven Fennema, “Trapped in Solitude”
Sven Fennema is a German photographer, born in Xanten and now living and working near Dusseldorf. He is a self-taught photographer who has been working professionally since 2007. The focus of his art is “lost places”, deserted places and buildings, long stripped of their functions.
His Body: Above and Below
Photographer Unknown, Body Above and Below
“As Above, So Below…”
― Hermes Trismegistus
Black Socks

Black Socks with Three White Stripes
Gottfried Lindauer
Gottfried Lindauer, “Kamariera Te Hau Takiri Wharepapa”, 1895, Oil on Canvas, 83 x 71.7 cm, Auckland Art Gallery, Auckland, New Zealand
Gottfried Lindauer, a portrait artist, was born in Pilsen, Bohemia, then part of the Austro-Hungarian Empire, who relocated to New Zealand. Lindauer’s portraits of Māori are diverse in their subjects and in how he depicted them. They can be presented full-length, half-length or in bust format for instance; frontal, body in profile or face to the front, as in his many portraits of Ana Rupene and her baby. Besides his portraits of eminent Māori, Lindauer produced many of little-known or ordinary Māori people, most of whom wear European dress, as would have been the case in their daily life.
Kamariera Wharepapa, born in 1823, was one of fourteen Māori who travelled to England aboard the ship Ida Ziegler under the sponsorship of Wesleyan missionary William Jenkins. While in England he was presented to Queen Victoria and married Elizabeth Reid, an English housemaid. The first of their five daughters was born on the return journey to New Zealand and the family settled in Maungakahia. There, in 1864, Elizabeth helped her husband lobby for a school, which was eventually built. Wharepapa died in 1920 at his birthplace Mangakahia.
Calendar: November 13

A Year: Day to Day Men: 13th of November
Blackwork and Cigarette
November 13, 1850 was the birthdate of author Robert Louis Stevenson.
Robert Louis Stevenson was born in Edinburgh, Scotland, the son of a noted lighthouse builder and harbor engineer. Though healthy at birth, Stevenson soon became a victim of constant breathing problems that later developed into tuberculosis. These persistent health problems made him extremely thin and weak most of his life.
By the time Stevenson entered Edinburgh University at the age of sixteen, he had fallen under the spell of language and had begun to write. For several years, he attended classes irregularly, developing a bohemian existence. At the age of twenty-one, he openly declared his intention of becoming a writer, against the strong opposition of his father. Having traveled to the European mainland several times for health and pleasure, he now traveled between Scotland and a growing circle of artistic and literary friends in London and Paris.
Stevenson’s first book, “An Inland Voyage” published in 1878, related his adventures during a canoe trip on Belgium and France’s canals. In 1879, Stevenson stayed in an abandoned mining camp in the United States, later recounted in the 1883 “The Silverado Squatters”. A year later, he was back in Scotland; however, the climate in Scotland proved to be a severe hardship on his health. Stevenson and his wife soon moved and lived in Switzerland and the south of France. Despite his health, these years proved to be productive. The stories Stevenson collected at that time, ranging from detective stories to Scottish dialect tales, were published as “The New Arabian Nights” and “The Merry Men”.
“Treasure Island”, first published as a series in a children’s magazine, ranks as Stevenson’s first popular book, and it established his fame. A perfect romance, according to Stevenson’s formula, the novel tells the story of a boy’s involvement with murderous pirates. “Kidnapped” published in 1886, set in Scotland during a time of great civil unrest, has the same charm. In the 1886 “The Strange Case of Dr. Jekyll and Mr, Hyde”, Stevenson dealt directly with the nature of evil in man and the hideous effects that occur when man seeks to deny it. This work pointed the way toward Stevenson’s more serious later novels.
In 1889 Stevenson and his family set out on a cruise of the South Sea Islands. When it became clear that only there could he live in relatively good health, he settled on the island of Upolu in Samoa. He bought a plantation, built a house, and gained influence with the natives, who called him Tusifala or “teller of tales”. By the time of his death on December 3, 1894, Stevenson had become a significant figure in island affairs. His observations on Samoan life were published in the 1896 collection “In the South Seas” and in the 1892 “A Footnote to History”.
The Hand
Fernando Pessoa: “The First Property of Things is Motion” (Part One)
Tattoo Art in Motion: Part One
“Our problem isn’t that we’re individualists. It’s that our individualism is static rather than dynamic. We value what we think rather than what we do. We forget that we haven’t done, or been, what we thought; that the first function of life is action, just as the first property of things is motion.”
― ahe Education of the Stoic
Focus
A Moment in Time
Photographer Unknown, (A Moment in the Time of Two Men)
“O friend, for the morrow let us not worry
This moment we have now, let us not hurry
When our time comes, we shall not tarry
With seven thousand-year-olds, our burden carry”
―
Adornment

Photographer Unknown, (A Matter of Male Adornment)
The Library Stacks: Reshelving Books
“When I open them, most of the books have the smell of an earlier time leaking out between the pages – a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.”
―
Michael Leonard
Michael Leonard, “Changing”, 1981, Acrylic on Cotton Duck Canvas, 80 x 76.2 Inches, Private Collection
David Hockney

David Hockney, “Jungle Boy”, 1964, Etching and Aquatint Printed in Colors, Printed on Mould-Made Paper, Published by Associated American Artists
This etching is from a formative part of David Hockney’s life: the years from 1961 to 1964, That period spans part of his time at the Royal College of Art, where he was a student form 1959 to 1962; his first years as an independent London artist; and a period in which his printmaking focused entirely on etching. During this time, Hockney had his first visit to the United States, funded by an art prize for one of his prints. It was also during this period that Hockney created his renowned “A Rake’s Progress” series of etchings after his return to London.
David Hockney’s early print work are examples of his raw talent and ability to transform the artistic medium he works with. He began making prints as a student in 1961 because he could not afford paint supplies. He mastered the medium and made prints with abandon, using the medium to reflect upon his life as a young art student in London at that time, creating a portrait of the artist as a young man.
“I started doing graphic work in 1961 because I’d run out of money and I couldn’t buy any paint, and in the graphic department they gave you the materials for free. So I started etching, and the first I did was Myself and My Heroes. My heroes were Walt Whitman and Gandhi. There was a little quote from each of them, but for myself I couldn’t find anything – I hadn’t made any quotes – so it just said, ‘I am twenty-three years old and wear glasses,’ the only interesting thing I could think to say about myself.” -David Hockney, 1976
























