Florian Kaltenbach

Florian Kaltenbach, “Faceoff Boxing”

Florian Kaltenbach is a film director from Berlin, Germany. He directed, wrote and produced the 2007 short film “Delay”, an experimental film in which a guitarist who perceives sound with delay fights to make music again.

If you like the boxing gif above, the link below is directs you to the clip of Kaltenbach’s boxing segment from his work “Faceoff Boxing” . Enjoy.

Kaltenbach’s most recent work can also be found at his site: https://floriankaltenbach.com/tags/recent%20work#36

https://vimeo.com/151646424

Bronski Beat, “Small-town Boy”

Bronski Beat, “Small-town Boy”

“Smalltown Boy” is a 1984 song by the British synthpop group Bronski Beat. It was released in June 1984, and appeared on the band’s debut album The Age of Consent, released in December 1984.

The song is a popular gay anthem and was a big commercial success, reaching number 3 in the band’s native UK. It was also a number one hit in the Netherlands and Belgium, and hit the top 10 in Australia, Canada, France, Ireland and Switzerland. The track reached number 48 in the US pop chart and was a number one US dance hit.

The song addresses key issues in 1980s LGBT culture. It addresses family rejection for being homosexual and homophobia in British society. It also deals with loneliness and bullying through societal and familial rejection.

Martin Del Carpio, “Lies in Your Eyes”

https://vimeo.com/132285963

Martin Del Carpio, “Lies in Your Eyes”, June 2015

Video concept by Martin Del Carpio
Videography, photography and editing by William Murray
williammurrayvideo.com
Make up by Amanda Grace

Digital download of the track:
martindelcarpio.bandcamp.com/track/lies-in-your-eyes

Music created, produced & mastered by Jamie Muffett
jamiemuffett.com
Produced by Jamie Muffett & Martin Del Carpio
Lyrics & vocals by Martin Del Carpio
Guitars by Juan I. Garcia

Ilona Romule

Ceramics by Ilona Romule

Ilona Romule is a studio artist from Riga, Latvia. She received her Masters of Fine Arts Degree from the Latvian Art Academy. Ilona has world-wide international recognition with her self-made plaster model moulds and slip cast porcelain sculptures. Ilona is known for her use of ironic and erotic imagery both in the form of her fine porcelain pieces and also in the surface decoration with the china paints. In ceramics Ilona is interested in the opportunity of three dimensional expression, using the scope of graphics and painting.

Traditionally she works with porcelain. Ilona supplements her sculptural works with fine painting in overglaze technique, thus developing plastically expressive compositions, participated by human, animal and peculiar hybrid figures. In the motives chosen by the artist, figures settle in form and material in the game of symbols and character situations.

The Carpeaux Fountain

The Carpeaux Fountain at Jardin Marco Polo, South of the Jardin du Luxembourg in the 6th Arrondissement of Paris

The central axis of the Luxemburg Garden is extended, beyond its wrought iron grill and gates opening to rue Auguste Comte, by the central esplanade of the rue de l’Observatoire, officially the Jardin Marco Polo, where sculptures of the four Times of Day alternate with columns and culminate at the southern end with the 1874 “Fountain of the Observatory”, also known as the “Fontaine des Quatre-Parties-du-Monde” or the “Carpeaux Fountain”, for its sculptures by Jean-Baptiste Carpeaux. It was installed as part of the development of the avenue de l’Observatoire by Gabriel Davioud in 1867.

The bronze fountain represents the work of four sculptors: Louis Vuillemot carved the garlands and festoons around the pedestal, Pierre Legrain carved the armillary with interior globe and zodiac band; the animalier Emmanuel Fremiet designed the eight horses, marine turtles and spouting fish. Most importantly Jean-Baptiste Carpeaux sculpted the four nude women supporting the globe, representing the Four Continents of classical iconography.

Julien Gracq: “Blood Had Long Since Ceased to Beat”

Photographer Unknown, (A Simple Stretch of Macadam), Selfie

“Blood had long since ceased to beat from one end to the other, but one could sense, from passages marked with fresher traces of wheels and hooves, that once the meaning and even the very idea of a long journey was lost, sleep had not descended over it in one fell swoop: it had continued to steal a march here and there, in a discontinuous way, and over short distances, like a laborer who feels his cart jolt on a section of Roman road that crosses his field…”

― Julien Gracq

 

Haruo Shirane: “People Peep into Boxes. . .”

Photographer Unknown, (The Stereoscope Viewer)

“People peep into boxes at moving stereoscopic prints, imagining they’re in other worlds, and the crowd around a glassblower wonders whether icicles have formed in summer. Potted trees revive and suddenly look fresh when a florist sprinkles water on them, while papier-mâchĂ© turtles hanging out for sale move in the wind and take on souls.”

― Haruo Shirane

 

Igor Mitoraj

Igor Mitoraj, Bronze Doors at Saint Maria Degli Angeli, Rome, Italy

The Basilica of St. Mary of the Angels and the Martyrs ( Santa Maria Degli Angeli e dei Martiri) is a titular basilica church in Rome, Italy built inside the frigidarium of the Baths of Diocletian in the Piazza della Repubblica.

Igor Mitoraj was a Polish artist born in Oederan, Germany. Having previously worked with terracotta and bronze, a trip to Carrara, Italy, in 1979 turned him to using marble as his primary medium and in 1983 he set up a studio in Pietrasanta. In 2006, he created the new bronze doors and a statue of John the Baptist for the basilica of Santa Maria degli Angeli in Rome.

The right hand bronze door depicts the Resurrection, and the left hand door the Annunciation. Most of the surfaces of both doors are blank, showing textured and patinated metal, but out of the surfaces emerge dismembered figures and heads as if they were floating in water. The three figures of Christ, Our Lady and the Archangel Gabriel have arms amputated, and this detail is an allusion to the damaged Classical statues that used to be displayed in the adjacent museum. The figure of Christ is further divided into four by two slashes in the form of a cross.

Thanks to http://deaprojekt.tumblr.com for the reblog of the top image.