Photographer Unknown, Model Unknown, Photo Shoot
“After I hit a home run I had a habit of running the bases with my head down. I figured the pitcher already felt bad enough without me showing him up rounding the bases.”
―
A fine art, film, history and literature site oriented to, but not exclusively for, the gay community. Please be aware that there is mature content on this blog. Information on images and links to sources will be provided if known. Enjoy your visit and please subscribe.
Photographer Unknown, Model Unknown, Photo Shoot
“After I hit a home run I had a habit of running the bases with my head down. I figured the pitcher already felt bad enough without me showing him up rounding the bases.”
―
Security Guards Numbers One Through Six
“make a radical change in your lifestyle and begin to boldly do things which you may previously never have thought of doing, or been too hesitant to attempt. So many people live within unhappy circumstances and yet will not take the initiative to change their situation because they are conditioned to a life of security, conformity, and conservation, all of which may appear to give one peace of mind, but in reality nothing is more damaging to the adventurous spirit within a man than a secure future. The very basic core of a man’s living spirit is his passion for adventure. The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.
–Jon Krakauer, Into the Wild
Thanks to http://welyum-blog-blog.tumblr.com for these great gifs.
Photographer Unknown, (Eyes on His Phone), Selfie
John Steuart Curry, “The Missed Leap”, Lithograph on Cream Wove Paper, 1934, Smithsonian American Art Museum
John Steuart Curry traveled with Ringling Bros. and Barnum & Bailey Circus for months in 1932, making studies for later paintings and prints. A trapeze artist misses her partner’s outstretched hand in the lithograph “Missed Leap,” and while Curry has fringed a lower corner with a net, she appears to be dropping straight toward a starred target on the floor below.
The Artwork of Nicholas Blowers
Nicholas Blowers was born in Chelmsford, England in 1972. He studied locally, and then studied Fine Art at Southampton, graduating in 1994. In Europe Blowers remains largely undiscovered, but he has already made an impact both in Sydney and Tasmania, where he relocated in 2007. Blowers works on the depiction and experience of landscape elements, chiefly the detritus of forests.
Most recently, in Tasmania, Blowers’s art has focused upon the serially damaged forests and their landscapes. In fact, as an Englishman in Australia, he could be said to have followed a long tradition, running more recently via the painter John Wolseley (b.1938), who settled in Australia in 1976, and historically, the famous emigrant from London to Hobart, Tasmania, the painter John Glover (1767-1849), in 1831.
“An impenetrable dark wall of trees may offer a glimpse of light some distance inward – often a huge gum has fallen, clearing a pathway. A fallen gum will have left a splintered trunk surrounded by splinters of shattered bark. I was recently standing on the trunk of a huge fallen tree and looking back at the trunk, it appeared a totally implausible form, unique and singular like a castle turret whose walls have splintered and fallen outwards’” – Nicholas Blowers
Thanks to http://darksilenceinsuburbia.tumblr.com
Natalie Frank, Illustrations for Grimm’s Fairy Tales
Natalie Frank is an American artist currently living and working in New York City. Her work deals with themes of power, sexuality, gender, feminism, and identity. Although Frank is best known as a painter, she has also explored other mediums including sculpture and drawing. Her most famous works are a series of drawings of the original, unsanitized “Brothers Grimm Fairy Tales”.
Frank’s work is marked by disturbing, explicit, and grotesque subject matter that revolves around themes including women, sexuality, gender, violence, and humanity. She often blurs the line between reality and fantasy, and the artist notes that she wants her work to be located on the edge of ‘Magical Realism’ and the real world. With oil on canvas and mixed media making up the bulk of her work, Frank is praised for her classical techniques that illicit references to the artist Francis Bacon.
In 2011, artist Paulo Rego suggested that Frank read the original, unsanitized versions of the “Brother Grimm Fairy Tales”, noting that the series embodied many of the themes present in Frank’s work. Frank was intrigued, and spent the next three years creating 75 gouache and chalk pastel drawings of 36 of the original stories, including well known tales including ‘Rapunzel’ and ‘Cinderella’, as well as lesser known ones lie ‘The Lettuce Donkey’. The series marks the first time Frank drew inspiration from literature and is one of the only complex, systematic examination of the original tales by a contemporary artist.
Thanks to http://darksilenceinsuburbia.tumblr.com
Photographers Unknown: Photo Shoots of Marco Dominic Dapper
Marco Dominic Dapper is an American actor and model, known for his role in the 2006 film “Eating Out 2: Sloppy Seconds”, a gay-themed romantic comedy film released in 2006.. Dapper appeared on The Young and the Restless as Carmine Basco. He moved to Los Angeles in 2003, where he has studied acting at Lesly Kahn, Beverly Hills Playhouse and with Chick Vennera.
Marco Dapper appeared in the movie “I Choose Chaos”, a crime drama with Stefano Gallo, in 2011 and “Nowhere Else (Like a Bat Outta Hell)”, a horror thriller directed by Danial Donai, in 2013.
Nothing But Thieves, “Graveyard Whistling”
Nothing But Thieves is an English five-piece alternative rock band from Southend-on-Sea in Essex. Formed in 2012, the band consists of Conor Mason (vocals), Joe Langridge-Brown (guitars), Dominic Craik (guitars, keyboards), James Price (drums), and Philip Blake (bass guitar). In 2014, they were signed to RCA Records. Their style of music has been compared to the likes of Foals, The Neighbourhood, and Civil Twilight.
The song “Graveyard Whistling” is from the “Nothing But Thieves” album released in the US in February 2016.
Rick Day, “Mahmoud Alhumoz”, Photo Shoot, Date Unknown
The Dying Art of Darkroom Printing
The comparison images above show photographer Dennis Stock’s iconic portrait of James Dean in Times Square. The test print on top shows all the work Inirio put into making the final photo look the way it does. The lines and circles you see reveal Inirio’s strategies for dodging and burning the image under the enlarger, with numbers scattered throughout the image to note different exposure times.
Sarah Coleman of The Literate Lens wonders whether the magic of seeing this process will carry over at all into our new digital age:
Over the last fifteen years, almost every photographer I’ve interviewed has waxed poetic about that “magical” experience of seeing an image develop in chemicals for the first time. You have to wonder whether today’s young photographers will rhapsodize as much about the first time they color-calibrated their monitors.
Many thanks to archatlas:
Photographer Unknown, (Falling Water)
Photographer Unknown, Amsterdam Photos: Taking the Train
Edward Hopper, “Tables for Ladies”, Oil on Canvas, 1930, Metropolitan Museum of Art
“Tables for Ladies” places the viewer directly outside the front window of an ordinary restaurant in New York City. The viewer’s gaze is directed past the menu cards and the vividly painted foods in the window display and the waitress who leans forward to adjust them, into an interior of polished wood, tiled floors, and wall mirrors where a man and woman eat and a cashier attends to business at her register. Hopper painted this large canvas in the studio, working from sketches that he had made of local restaurants.
Yet despite the bright lighting and the warm, even garish, colors, this is not a particularly festive scene. The two diners chat between themselves, but the cashier and the waitress are lost in their separate thoughts and duties. As in many of his works, Hopper indirectly comments on the loneliness and weariness that so many city dwellers experience.