Author: ultrawolvesunderthefullmoon

https://www.instagram.com/wolvesofgray This blog is a refugee and a survivor of the Great Tumblr Inquisition of December 17th, 2018. I am gay artist, who received training at the Rhode Island School of Design, and now, a retired high-end fine art framer living in Maryland, USA. My interests and studies in life run a wide gamut from art to history and from the scientific to the esoteric. I have been building this blog of images and texts for the last eight years. My wish is that my posts pique the interest of viewers and encourage them to experience more.

The Twisted Path to Heaven

Photographer Unknown, (The Twisted Path to Heaven)

“You know yourself what you are worth in your own eyes; and at what price you will sell yourself. For men sell themselves at various prices. This is why, when Florus was deliberating whether he should appear at Nero’s shows, taking part in the performance himself, Agrippinus replied, ‘Appear by all means.’ And when Florus inquired, ‘But why do not you appear?’ he answered, ‘Because I do not even consider the question.’ For the man who has once stooped to consider such questions, and to reckon up the value of external things, is not far from forgetting what manner of man he is.”
― Epictetus

 

The Attentive Eye

Photographer Unknown, (The Attentive Eye)

“It would have been hard for Fat Charlie to say exactly when the accumulation of birds on the wire mesh moved from interesting to terrifying. It was somewhere in the first hundred or so, anyway. And it was in the way they didn’t coo, or caw, or trill, or song. They simply landed on the wire, and they watched him.”

― Neil Gaiman, Anansi Boys

Oswaldo Guayasamin

Two Paintings by Oswaldo Guayasamin

Oswaldo Guayasamin was an Ecuadorian eminent painter and sculptor whose heritage traces back to Quechua and Mestizo indigenous populations. Guayasamin dedicated his entire life to art and he was also a passionate supporter of the communist Cuban Revolution and Fidel Castro.

Guayasamin was given a prize for an entire life of work for peace by the United Nations because his humanist work reflects the pain and misery of mankind and speaks against the omnipresent  twentieth century violence, marked by world wars, civil wars , genocides, dictatorships and torture.

French Encryption Machine

French Encryption Machine, !6th Century, Court of Henry the Second

This is in collection of the Musée National de la Renaissance in Paris.

Essentially all ciphers remained vulnerable to cryptanalysis using the frequency analysis technique until the development of the polyalphabetic cipher, most clearly by Leon Battista Alberti around the year 1467, though there is some indication that it was already known to Al-Kindi.

Alberti’s innovation was to use different ciphers (i.e., substitution alphabets) for various parts of a message (perhaps for each successive plaintext letter at the limit). He also invented what was probably the first automatic cipher device, a wheel which implemented a partial realization of his invention.

In the polyalphabetic Vigenère cipher, encryption uses a key word, which controls letter substitution depending on which letter of the key word is used. In the mid-19th century Charles Babbage showed that the Vigenère cipher was vulnerable to Kasiski examination, but this was first published about ten years later by Friedrich Kasiski.

The Thinker in the Tub

Photographer Unknown, (The Thinker in the Tub)

“People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances with our own innermost being and reality, so that we actually feel the rapture of being alive.”
― Joseph Campbell, The Power of Myth

Gottfied Rheinwein

Gottfried Heinwein, “Mouse 1″, 1995, Mixed Media (Oil and Acrylic on Canvas), 210 x 310 cm, San Francisco Museum of Modern Art

In ‘The Darker Side of Playland’ show at the SFMOMA, the endearing cuteness of beloved toys and cartoon characters turns menacing and monstrous. Much of the work has the quality of childhood nightmares. In those dreams, long before any adult understanding of the specific pains and evils that live holds, the familiar and comforting objects and images of a child’s world are rent with something untoward.

For children, not understanding what really to be afraid of, these dreams portend some pain and disturbance lurking into the landscape. Perhaps nothing in the exhibition exemplifies this better than Gottfried Helnwein’s ‘Mickey’. His portrait of Disney’s favorite mouse occupies an entire wall of the gallery; rendered from an oblique angle, his jaunty, ingenuous visage looks somehow sneaky and suspicious. His broad smile, encasing a row of gleaming teeth, seems more a snarl or leer.

This is Mickey as Mr. Hyde, his hidden other self now disturbingly revealed. Helnwein’s Mickey is painted in shades of gray, as if pictured on an old black-and-white TV set. We are meant to be transported to the flickering edges of our own childhood memories in a time imaginably more blameless, crime-less and guiltless.

Alexia Casale: “Stories That Spread and Twisted Through Other Worlds”

Photographer Unknown, (Room of Tomes)

“Where books had been a comfort before, they became a necessity, old books best of all: thick heavy tomes with stories that spread and twisted through other worlds, where he could walk like a ghost in the footsteps of other lives.”

― Alexia Casale, House of Windows