Richard Pousette-Dart

Richard Pousette-Dart, “Untitled”, circa 1946-1948, Gouache, Ink and Paper Collage on Board, 30 x 23 cm, Private Collection

One of the earliest Abstract Expressionists, Richard Pousette-Dart explored a variety of painterly styles, including figurative work, all-over abstraction, pattern making, and Surrealist Automatism. Deeply influenced by Native American art and textiles, Pousette- Dart distanced himself from his contemporaries with an interest in spirituality, his paintings dealing with traditional dualities between light and substance, spirit and body, and harmony and discord. He favored heavy layers of acrylic and oils with small, thick brushstrokes to emphasize luminosity and distinctive colors.

 

Charles Altamont Doyle

Charles Altamont Doyle, “The Witching Hour”, mid 19th century, Pen over Pencil, The Huntington Library

Charles Altamont Doyle was an artist, watercolourist and illustrator, and the father of Arthur Conan Doyle. Charles was the youngest son of the caricaturist John Doyle known as “H.B.” and brother of Richard Doyle. He joined the Edinburgh Office Works at 19. He exhibited a number of watercolours and pen and ink studies at the Royal Scottish Academy.

He illustrated John Bunyan’s Pilgrim’s Progress and produced several illustrations for London Society between 1862 and 1864 and also for humorous books. But he never met success and fell into depression and alcoholism. He finally went insane and get interned in various asylums from 1885 to his death. It has been said that his best artistic works has been produced in the confines of the asylums.

Zagreb Archaeological Museum

Chas, “Zagreb Archaeological Museum”; Photo taken Early Morning, October 2017

The Archaeological Museum in Zagreb, Croatia, is an archaeological museum with over 450,000 varied artifacts and monuments, gathered from various sources but mostly from Croatia and in particular from the surroundings of Zagreb.

Its predecessor institution was the “National Museum”, open to the public since 1846. It was renamed to “State Institute of Croatia, Slavonia, and Dalmatia” in 1866. In 1878, the Archaeological Department became an independent institution within the State Institute, and the umbrella institute was dissolved in 1939, leaving the Archaeological Museum as a standalone institution.

The archaeological collection of the State Institute had been kept in the Academy mansion at Zrinski Square from the 1880s and remained there until 1945, when the museum moved to its current location at the 19th-century Vranyczany-Hafner mansion, 19 Zrinski Square.