Photographer Unknown, (Raven and Silver)
Month: July 2017
Three Together
Photographer Unknown, (Three Together)
Photomatic: 25 Cents
Artist Unknown, (Photomatic- 25 Cents), Computer Graphics, Vintage Film Gifs
Gerald Mast
Gerald mast, Clare Middle School Murals, 1938, Right Central Panel of Four, Clare, Michigan
Born in Topeka, Indiana, in 1908, Gerald Mast was a painter, graphic artist, designer and educator. He studied at the John Herron Art Institute in Indianapolis, and at Detroit’s School of Arts and Crafts, under modernist painter and educator John Carroll, who was associated with the Ash Can school artists. As an educator, Mast taught at the Rhode Island School of Design and was a Professor at the College of Architecture and Design of the University of Michigan at Grand Rapids from 1948 until his death in 1971.
Gerald Mast was a member of the Works Progress Administration, a New Deal federal agency which, from 1936 to 1943, carried out public works projects from building and road construction to public art projects. He produced murals for the Franklin Settlement in Detroit; the Bronkema Center in Grand Rapids; and the Harrick Public Library in Holland, Michigan. Executed in 1938 at the Detroit Institute of the Arts over a period of two years, his best known murals are the four large panels installed in the now Middle School of Clare, Michigan.
Mast’s four large, vertical panels, each twenty feet in height by eight feet in width, are installed on the north wall of Clare Middle School’s auditorium. The murals show agriculture, academics, the local trades, and the oil and gas industry, all of which were unique to the area when Mast arrived to complete his work; these mural received restoration in 2004.
The two outer murals in the auditorium are dominated by a woman on the left panel and a man on the right panel. The nude woman, holding a sheet in front of her, is standing before scenes of prosperous agriculture; the nude man, also holding a sheet, is seen standing before scenes of buildings and oil wells. The right central panel depicts scientists in front of classical thinkers. The left central panel depicts athletes, musicians, children, and nurses, with farmers and agricultural goods in the foreground. All of the subjects in the murals display unsmiling, grim determination.
Gerald Mast exhibited his work at the Detroit Institute of Arts from 1943 to 1963; the Great Lakes Exhibiton of 1938; the Rhode Island School of Design; Indianapolis’ Herron Art Institute from 1930 to 1964; and the National Ecclesiastical Exhibition in Birmingham, Michigan, among others. Executed under the WPA program, Gerald Mast’s 1938 ceramic sculpture, “Sea Nymph” is installed at the University of Michigan.
Gerald Mast died on August 10, 1971 in Grand Rapids, Michigan. The Smithsonian Museum’s Archives of American Art contains his correspondence and writings, family photographs, several sketchbooks and loose sketches, exhibition catalogues, and writings, which include his manuscripts for “Egg Tempera” and “Philosophy of Art”.
Insert Image: Gerald Mast, Untitled, 1964, Lithograph on Paper, Edition of 35, Private Collection
Fabulous Fox Theater
Photographer Unknown, Men’s Room Urinals, Fabulous Fox Theater, St. Louis, Missouri
Six Views : One Rose
Photographer Unknown, (Six Views with One Red Rose)
“Feeling at peace, however fragilely, made it easy to slip into the visionary end of the dark-sight. The rose shadows said that they loved the sun, but that they also loved the dark, where their roots grew through the lightless mystery of the earth. The roses said: You do not have to chose.”
-Sunshine, 2003
The Yawn
Photographer Unknown, (The Yawn)
Cal Lane
Steel Lace by Cal Lane
New York-based artist Cal Lane turns highly industrial materials like shovels, car parts and oil tanks into delicate lace-patterned works of art. Using a blowtorch, Lane adds a touch of beautiful filigree to the steel objects, producing works that simultaneously hide and expose the gritty material she chooses to work with.
“I like to work as a visual devil’s advocate, using contradiction as a vehicle for finding my way to an empathetic image, an image of opposition that creates a balance – as well as a clash – by comparing and contrasting ideas and materials” , says Lane, who is originally from Victoria, British Columbia.
Green Shapes
Photographer Unknown, (Green Shapes)
On the Tracks : Interiors
On the Tracks: Interiors
‘The names of the stations begin to take on meaning and my heart trembles. The train stamps and stamps onward. I stand at the window and hold on to the frame. These names mark the boundaries of my youth.”
― Erich Maria Remarque, All Quiet on the Western Front
Hoodie, Pillow, and Tongue
Photographer Unknown, (Hoodie,, Pillow and Tongue)
John Bisbee
John Bisbee: Nail Sculptures
John Bisbee is an American sculptor living and working in Maine. He is an art professor at Bowdoin College in Brunswick. Bisbee received his B.F.A. from Alfred University and attended the Skowhegan School of Painting and Sculpture.
Bisbee’s work is included in the collections of the Bowdoin College Museum of Art, the DeCordova Museum, The Albright-Knox Gallery, the Portland Museum of Art, at Microsoft, and in private collections.
Charles Demuth
Charles Demuth, “Turkish Bath with Self-Portrait”, 1918, Graphite and Watercolor on Paper, Private Collection
This watercolor sketch offers an illuminating depiction of the gay subculture in postwar New York. The setting is likely the Lafayette Baths, a Turkish bathhouse in the East Village. The artist, with dark hair and mustache, appears nude in the center of the frame. He talks with two other men: a blonde man swaddled in a towel, who faces away from the camera, and a fully undressed red-headed man who strikes a confident pose. Behind the trio, a man with indistinct features stands in a pool, water waist high, while a duo in the upper right corner of the canvas seem to be caught up in an intimate moment.
Demuth was likely open about his sexuality with his friends, and frankly depicted the evolving, underground gay scenes in New York and Paris. This image is striking in its open, candid depiction of desire and attraction between men. It was not intended for public exhibition during Demuth’s lifetime and historically it has great significance, visualizing the emergence of a sexual subculture organized along very different lines than male/female courtship. Since his death, Demuth’s watercolors of early twentieth-century gay life have proven to be sources of inspiration and fellowship to later generations of American artists, including Andy Warhol, another Pennsylvania native.
Benito Quinquela Martin
Benito Quinquela Martin, “Elevadores a Pleno Sol”, 1945, Oil on Canvas
Benito Quinquela Martín was an Argentine painter born in La Boca, Buenos Aires. Quinquela Martín is considered the port painter-par-excellence and one of the most popular Argentine painters. His paintings of port scenes show the activity, vigor and roughness of the daily life in the port of La Boca.
On the cover of Benito Quinquela Martin’s coffin was the following quote and a painting of the port of La Boca.
“Quien vivió rodeado de color no puede ser enterrado en una caja lisa”
(“He who lived surrounded by colour cannot be buried in a plain box.”)
Paolo Zagoreo
Paolo Zagoreo, “Gucci Cruise 2018″









































