Andrea Solario, “Salome Receives the Head of Saint John the Baptist”, Oil on Panel, 1506-07, Metropolitan Museum of Art, New York City
Andrea Solari (also Solario) (1460–1524) was an Italian Renaissance painter of the Milanese school. He was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training whilst employed extensively on work at the Milan cathedral, and at the Certosa di Pavia. In 1490 he accompanied his brother to Venice, where he seems to have been strongly influenced by Antonello da Messina, who was then active in the city.
Salome, Herod’s daughter, has danced so beautifully that he swears to give her whatever she would like; even up to half the kingdom. Instead she asks for the head of an innocent man. It is a story about valuing life; and Herod’s family did not value it at all. Solario captures the lack of emotion in Salome’s face. At the gruesome sight in front of her she is emotionless, at best curious, but in no way remorseful that she has ended a life on a whim.













































