Sarah Amos

Sarah Amos, “Red Walk”, Collagraph and Monoprint, 2009

“The ‘flux’ of the work, it’s musical cadence if you like, is the fusion of palimpsestic markings as viewed from the air – the dotted contours, the ploughed fields, the beautiful spatial layering that has an almost Kandinsky-like effect – with the aesthetics of Japanese paper, matt black colour (that subtly glistens on close inspection) and the tactility of the surface of the work. These intersections produce images that have some outstanding resonances: vibrations of energy that ebb and flow around the gallery space.” – Marcus Bunyan for the Art Blart blog on Amos’s “Red Walk”

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