Converse Sneakers and the Man

Photographer Unknown, (Converse Sneakers and the Man)

“I think all of us are looking for that which does not admit of bullshit . . . If you tell me you can bench press 450, hell, we’ll load up the bar and put you under it. Either you can do it or you can’t do it—you can’t bullshit. Ultimately, sports are just about as close to what one would call the truth as it is possible to get in this world.”

Harry Crews, Getting Naked iwht Harry Crews: Interviews

This Dance of Atoms

Photographer Unknown, (This Dance of Atoms)

“He resented such questions as people do who have thought a great deal about them. The superficial and slipshod have ready answers, but those looking this complex life straight in the eye acquire a wealth of perception so composed of delicately balanced contradictions that they dread, or resent, the call to couch any part of it in a bland generalization. The vanity (if not outrage) of trying to cage this dance of atoms in a single definition may give the weariness of age with the cry of youth for answers the appearance of boredom.”

-Peter De Vries, The Blood of the Lamb

Max Klinger

Etchings by Max Klinger

Max Klinger was a German Symbolist painter, sculptor, printmaker, and writer. Klinger was born in Leipzig and studied in Karlsruhe. An admirer of the etchings of Menzel and Goya, he shortly became a skilled and imaginative engraver in his own right. Klinger began creating sculptures in the early 1880s. From 1883–1893 he lived in Rome, and became increasingly influenced by the Italian Renaissance and antiquity.

Klinger was cited by many artists (notably Giorgio de Chirico) as being a major link between the Symbolist movement of the 19th century and the start of the metaphysical and Surrealist movements of the 20th century. Asteroid 22369 Klinger is named in his honor.

Images from Top to Bottom: “Pursuit of the Centaur”, 1881, “The Titans”, 1892, Metropolitan Museum of Art; “Abduction of Prometheus”, 1894. “Prometheus Unbound”, 1894

Alfred Janniot, “Fontaine du Soleil”

Alfred Janniot, “Fontaine du Soleil”, Nice, France

The “Fountain of the Sun” or “Fontaine du Soleil” is located on the south side of Place Masséna. The founatin in its original form was inaugurated in 1956. On it are five bronze statues respresenting Earth, Mars, Mercury, Venus and Saturn that were sculpted by Alfred Janniot. A seven metre high statue of Apollo sits at the centre of the fountain.

At one point the statue of Apollo was moved due to censorship to the sports park Charles Ehrmann in the 1970s and was eventually returned on June 20, 2011.

The son of Zeus and Leto, and the twin brother of Artemis, Apollo was the god of music (principally the lyre, and he directed the choir of the Muses) and also of prophecy, colonization, medicine, archery (but not for war or hunting), poetry, dance, intellectual inquiry and the carer of herds and flocks. He was also a god of light, known as “Phoebus” (radiant or beaming, and he was sometimes identified with Helios the sun god). He was also the god of plague and was worshiped as Smintheus (from sminthos, rat) and as Parnopius (from parnops, grasshopper) and was known as the destroyer of rats and locust. Sacred to Apollo are the swan, the wolf and the dolphin.

Iain Pears: “Mastery Over Life Itself”

Photographer Unknown, (A Formal Pose)

“Many of you know little about storytelling. Before I begin, let me explain. The Story is the story of us all. If understood properly, it is of immense power. It tells you who you are, what you might expect from this life. Some believe it can foretell the future. Mastery of the Story gives you mastery over life itself. It contains precious, holy relics of the age of giants which preceded us. It tells of our rise, our glories and our occasional disgraces. It tells of our fathers and grandfathers, of the animals and the trees and the spirits, containing all the knowledge you need to please them so they will help rather than punish you.”

Iain Pears, Arcadia

Owen Pallett, “Odessa”,

Owen Pallett, “Odessa”, (Caribou Cover)

Michael James Owen Pallett is a Canadian composer, violinist, keyboardist, and vocalist, who performs solo as Owen Pallett or, before 2010, under the name Final Fantasy. As Final Fantasy, he won the 2006 Polaris Music Prize for the album He Poos Clouds.

From the age of 3, Pallett studied classical violin, and composed his first piece at age 13. A notable early composition includes some of the music for the game Traffic Department 2192; he moved on to scoring films, to composing two operas while in university. Apart from the indie music scene, he has had commissions from the Barbican, Toronto Symphony Orchestra, National Ballet of Canada, Bang on a Can, Ecstatic Music Festival, the Vancouver CBC Orchestra, and Fine Young Classicals.

On his Final Fantasy releases, Pallett has collaborated with Leon Taheny, who is credited as drummer and engineer. Following the release of Heartland, Pallett has toured with guitarist/percussionist Thomas Gill and more recently with his former collaborators in Les Mouches, Rob Gordon and Matt Smith.

Pallett has been noted for his live performances, wherein he plays the violin into a loop pedal. Pallett uses Max/MSP and SooperLooper to do multi-phonic looping, which sends his violin signal to amplifiers across the stage.

Pallett believes his work is implicitly influenced by his sexuality, saying, “As far as whether the music I make is gay or queer, yeah, it comes from the fact that I’m gay, but that doesn’t mean I’m making music about it.”

Member of the Tribe

Photographer Unknown, Member of the Tribe

“Tell your story.
Shout it. Write it.
Whisper it if you have to.
But tell it.
Some won’t understand it.
Some will outright reject it.
But many will
thank you for it.
And then the most
magical thing will happen.
One by one, voices will start
whispering, ‘Me, too.’
And your tribe will gather.
And you will never
feel alone again.”

― L.R. Knost

 

Ray Bradbury: “Absolutely Brilliant with Information”

Photographer Unknown, (Spots of Light on Skin)

“If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of ‘facts’ they feel stuffed, but absolutely ‘brilliant’ with information. Then they’ll feel they’re thinking, they’ll get a sense of motion without moving. And they’ll be happy, because facts of that sort don’t change.”

-Ray Bradbury, Fahrenheit 451