Lemurs

Lemurs

Lemurs are primitive primates found only on the African island of Madagascar.  They share many traits with ancient primates, including communicating mainly by scent, wet noses, and having divergent digits rather than fingernails.

It’s believed that the ancestors of lemurs came to Madagascar on rafts of vegetation some 62 to 65 million years ago.  Since then, they have diversified enormously; previous to the arrival of humans on the island, there were lemurs as large as gorillas.

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Eleven Pairs of Socks

Photographers Unknown, Eleven Pairs of Socks

The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume- a shirt and socks- in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen.

Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist.

It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed.

–Herman Melville, Moby Dick; or, The Whale, Chapter 71: The Jeroboam’s Story, 1851, Publisher Richard Bentley, London

Saints Sergius and Bacchus

Artist Unknown, “Saints Sergius and Bacchus”, Date Unknown, Religious Icon, Tempera Paint and Gilding

Sergius and Bacchus were fourth-century Roman Christian soldiers who are revered as martyrs and military saints by Catholic, Eastern Orthodox and Oriental Orthodox Christian Churches. October 7th is held as their feast day. 

The story of Sergius and Bacchus is found in the Greek text known as “The Passion of Sergius and Bacchus”. Dating of the text is difficult; however, it most likely dates to the middle of the fifth=century as there is no other existing historical evidence for the cult of Sergius and Bacchus before 425 AD, a century after the date of their deaths. The basic account of their martyrdom follows:

Sergius was a primicerius, or commander, and Bacchus, a secundarius or subaltern officer, in the army of Roman Emeror Galus Valerius Maximianus, who ruled from 258 to 311 AD. Since the earliest accounts of their martyrdom, their close bond to each other has consistently been emphasized; the earliest record of the martyrdom described them as “erastai”, which is Greek for lovers. 

Held in high favor by the Emperor, Sergius and Bacchus were arrested after they refused to attend sacrifices to Zeus, an act which revealed their secret Christianity. Arrested in what is now Syria circa 303 BC and paraded through the streets, they were separated and tortured. Bacchus was so severely beaten that he died; early manuscripts state that he appeared to Sergius at night and told him not to despair as they would be reunited in heaven as lovers, a statement unique in the history of Christian martyrs. Over the next several days, Sergius was tortured and finally beheaded. 

For nearly one thousand years, Sergius and Bacchus were revered as the official patrons of the Byzantine army. The tomb of Sergius became a famous shrine and many early churches were named after either Sergius or Bacchus. Recognized as martyrs, the pair was venerated throughout the Mediterranean, the Middle East, Latin American and the Slavic nations. In 1969, the Roman Catholic Church removed Sergius and Bacchus from the liturgical calendar, on the basis of lack of historical evidence. Sergius and Bacchus, however, continue to be popular saints among Christian Arabs and, now, have gained popularity among LBGTQ Christians and others.

One of the newest images of the third-century saints is a stained=glass window, dedicated in September of 2011, at St. Martha’s Church in Morton Grove, Illinois. A gift donated by its LBGTQ members, it is part of a project in which the church’s diverse congregation are selecting and installing twenty windows of saints from their various homelands.  

Duncan Grant: The Saint Blaise Chapel Murals

Duncan Grant, Mural, Detail of the West Wall, St Blaise Chapel, Lincoln Cathedral, Lincoln, Lincolnshire, England

Duncan Grant, born from Scottish aristocratic roots, was an influential artist of the early 20th century, conscientious objector in the First World War and member of the Bloomsbury Group, whose attitudes towards feminism, pacifism and sexuality brought them great notoriety. Though homosexual, he had a daughter, Angelica, by his 40-year largely platonic relationship with Vanessa Bell (sister of Virginia Woolf), and had several notable lovers including Bloomsbury set fellows, the economist John Maynard Keynes and writer David Garnett. His later life was spent with another Bloomsbury associate, poet and translator of the classics, Paul Roche.

The mural paintings in The Russell Chantry, St.Blaise Chapel in St.Mary’s Cathedral are dedicated to St.Blaise, patron Saint of wool workers and depict a fanciful quayside scene in 15th century Lincoln. They were painted in 1958, when Grant was in his early seventies and were embroiled in controversy from the start. His initial designs were amended, and his open homosexuality and history as a conscientious objector were frowned upon in the early post-war years.

The Chapel was kept locked from around 1964 to 1977 when the first colour Cathedral guidebook made no mention of the murals. The chapel continued to be locked and used as a storeroom with cupboards against the walls covering the murals until 1990. Some people objected to the near nudity of the figure of Christ, modelled on Grant’s homosexual lover Paul Roche and the athletic young porters loading bales of wool on the quayside. Even today, some Cathedral guides omit the St.Blaise Chapel and Grant’s marvellous murals from their tour.