Ross Trebilcock

Ross Trebilcock, “The Paradise Ferry-Man’s Toll”, Oil on Canvas

Ross Trebilcock uses a wide range of mediums: his work ranges from Painting to Print-making, Sculpture and Mosaic. He is co-founder and builder of the Arts community, Wolfgang’s Palace, which has been active for over 33 years. Based on art as an expression of philosophy and mythology, Wolfgang’s Palace functions as a creative hub for many artists, musicians and thespians both locally and globally, serving as a unique venue to facilitate their imaginings. Wolfgang’s Palace is alive and well; they can be found online and at Facebook.

Dan Witz

Dan Witz, “70 Commercial Street”, 40×54 inches, 2010, from the “Mosh Pits (Human and Otherwise)” Series

Dan Witz is one of the most prolific artists working on the streets of New York City today. With a career that dates back to the 1970s, he continues through each project to refine his technique and style, yet never loses sight of his original aesthetic and ideological goals. He both defines and challenges what it means to be a street artist.

Witz was born in Chicago, Illinois in 1957. He was educated at Cooper Union and Rhode Island School of Design. Recent solo exhibitions include New Works, Addict Gallery, Paris, France (2009), New Street Works, Sid Lee Collective, Amsterdam, The Netherlands (2009), Night Paintings, Stolenspace, London, England (2009), and In Plain View, DFN Gallery, New York, USA (2008). He lives and works in Brooklyn, New York.

Emil Holmer

Paintings by Emil Holmer from His Show: Mobilization Table

‘Dead Letters’ is the Swedish painter Emil Holmer’s first solo show in Berlin. His Mobilization Table is a sort of mission statement for his approach to painting: the canvas is a frame into which objects are assembled over and against each other, and techniques are hand-made weapons for dissecting materials. Collages of pornographic material meet total abstraction; media swap roles. The paintings are composed like installations from smaller paintings of sculptures, clusters spaced across the canvas, or piled on top of each other.

Gus Van Sant, “Mala Noche”

“Mala Noche”: Directed by Gus Van Sant

“Mala Noche (Bad Night)” is a 1985 American drama film written and directed by Gus Van Sant (Drugstore Cowboy, Last Days), based on an autobiographical novel by the Oregon poet Walt Curtis. The film was shot in 16 mm, mostly black-and-white.

With its low budget and lush black-and-white imagery, Gus Van Sant’s debut feature “Mala Noche” heralded an idiosyncratic, provocative new voice in American independent film. Set in Van Sant’s hometown of Portland, Oregon, the film evokes a world of transient workers, dead-end day-shifters, and bars and seedy apartments bathed in a profound nighttime, as it follows a romantic deadbeat with a wayward crush on a handsome Mexican immigrant. “Mala Noche” was an important prelude to the New Queer Cinema of the nineties and is a fascinating capsule from a time and place that continues to haunt its director’s work.

Gus Van Sant’s “Male Noche” is available on Netflix disc and through Hulu and Prime subscription services.

Endless Sea: Until the End of the World

Artist Unknown, (Endless Sea Until the Edge of the World), Computer Graphics, Film Gifs

“Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.”

― Haruki Murakami, Kafka on the Shore

Red Wolf

Photographer Unknown, Red Wolf

Originally distributed throughout the Southeastern US, the red wolf was nearly driven to extinction by the mid-1900s due to aggressive predator control programs, habitat destruction and extensive hybridization with coyotes. By the late 1960s, it occurred in small numbers in the Gulf Coast of western Louisiana and eastern Texas. Fourteen of these survivors were selected to be the founders of a captively bred population, which was established in the Point Defiance Zoo & Aquarium between 1974 and 1980.

After a successful experimental relocation to Bulls Island off the coast of South Carolina in 1978, the red wolf was declared Extinct in the Wild in 1980 in order to proceed with restoration efforts. In 1987, the captive animals were released into North Carolina’s Alligator River National Wildlife Refuge, with a second release taking place two years later in the Great Smoky Mountains National Park.

Photographer Unknown, Ibex

The Alpine ibex (Capra ibex), also known as the steinbock or bouquetin, is a species of wild goat that lives in the mountains of the European Alps. It is a sexually dimorphic species with larger males who carry larger, curved horns. The coat colour is typically brownish grey. Alpine ibex tend to live in steep, rough terrain above the snow line. They are also social, although adult males and females segregate for most of the year, coming together only to mate. Four distinct groups exist; adult male groups, female-offsping groups, groups of young individuals, and mixed sex groups.

M83, “Wait”

M83, “Wait”

M83 are a French electronic music band led by Anthony Gonzalez and currently based in Los Angeles, California, United States. Formed in 2001 in Antibes, France, the band initially was a duo featuring Nicolas Fromageau. They have released six albums and two soundtracks, including the Grammy Award-nominated Hurry Up, We’re Dreaming.

“Wait,” taken from the album ‘Hurry Up, We’re Dreaming’, is the final episode of the trilogy, the end point of the visual collaboration between M83 and Fleur & Manu that has been ongoing throughout 2012.