Calendar: March 3

Year: Day to Day Men: March 3

Warmth of the Sun

The third of March in 1585 marks the inauguration of the Teatro Olimpico designed by Italian Renaissance architect Andrea Palladio. Since 1994, the Olympic Theater, along with other Palladian-styled buildings in and around the city of Vicenza, have been listed together as a United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Site.

Born Andrea di Pietro della Gondola in Padua, Republic of Venice in November of 1508, Andrea Palladio was influenced by Roman and Greek architecture and is considered one of those individuals who most influenced the history of architecture. He trained under noted sculptor Bartolomeo Cavazza de Sossano as an apprentice stonecutter for six years. When his contract was finished, Palladio permanently relocated to Vicenza where his career was unexceptional until 1538.

Between 1538 and 1539, Palladio rebuilt the Villa Trissino, the Cricoli residence of poet and scholar Gian Giorgio Trissino who was engaged in a lifetime study of ancient Roman architecture. Due to his work, Palladio received the formal title of architect in 1541. He took several trips, accompanied by Gian Trissino, between 1541 and 1547 to study classical monuments in Rome, Tivoli, Paletrina, and Albano. As a mentor, Trissino introduced Palladio to the history and arts of Rome as well as bestowed on him the name ‘Palladio’ which means the Wise One.

Throughout his career in Vicenza, Andrea Palladio designed many villas and governmental palaces. His first construction project involving a large town house was the Palazzo Thiene in Vicenza. After the death of its architect Giulio Romano, Palladio finished its construction. He used Romano’s design for the villa’s windows but altered the facade to express a new lightness and grace. Among the villas attributed to Palladio’s architectural designs are the Villa Pisani, his first patrician villa for a Venetian family, and Villa Cornaro, a villa at Piombino Dese that was a mixture of villa rusticate (country house) and suburban villa with a grand salon designed for entertaining.

In 1550, Palladio began construction on the Palazzo del Chiericati, an urban palace built on a city square near Vicenza’s port. It was designed with a two-story facade with a double loggia divided by rows of Doric columns. Paladio’s Palazzo del Capitaniato, the offices of the regional Venetian governor, was a contrasting design of red brick and white stone. The four brick half-columns of its facade formed a strong vertical element that balanced the horizontal balustrades and projecting cornice at the top. Designed in 1565, the Palazzo del Capitaniato was built between 1571 and 1572.

Ranked among his highest masterworks, the Teatro Olimpico was Palladio’s final architectural design and was not completed until after his death. In 1579, the Olympic Academy obtained the rights to build a permanent theater in the old fortress, Castello del Territorio, which had been both a prison and storage depot for gun powder before falling in disuse. Asked to produce a design, Palladio used the space to recreate an academic reconstruction of the Roman theaters he had closely studied. In order to fit a stage and seating area into the building’s wide and shallow space, Palladio had to flatten the semicircular seating area of a Roman theater into an ellipse.

Andrea Palladio died in August of 1580, only six months after the construction on the theater had started. His sketches and drawings were used as a guide; Palladio’s yongest son, Silla Palladio, and Vicenza architect Vincenzo Scamozzi oversaw the final construction work. Scamozzi contributed several rooms to the design and built the rusticated entrance archway that was fitted into the rough, well-worn walls. As Palladio had not left any plans for the onstage scenery, Scamozzi created trompe l’oeil scenery with oil-lamp lighting to give the appearance of long streets receding into the distance. The full Roman-style wood and stucco backscreen is the oldest surviving stage set still in existence.

The Teatro Olimpico was inaugurated on the third of March in 1585 by a production of Sophocles’s “Oedipus Rex” with music by composer and organist Andrea Gabrieli. After only a few productions, the theater was essentially abandoned. The scenes created for the production were never removed and still exist in place. The original lighting system of glass oil lamps has been used only a few times over the years due to the risk of fire; they were lit in 1997 for a production of “Oedipus Rex”.

Due to conservation issues, current performances in the Teatro Olimpico are limited to four hundred attendees. As heating and air conditioning could damage the delicate wooden structure of the stage sets, performances are held only in the spring and autumn. The theater was a film location for the 1979 film “Don Giovanni” and the 2005 “Casanova”.

Calendar: January 6

Year: Day to Day Men: January 6

Just Slightly Peeking

On the sixth of January in 1501, construction began on Portugal’s Jerónimos Monastery in the parish of Belém of the Lisbon Municipality. This monastery became the necropolis of the Portuguese royal dynasty, the House of Aviz, in the sixteenth-century until its secularization in December of 1833 by state decree. Its ownership was then transferred to the Real Casa Pia de Lisboa, a charitable institution.

The Jerónimos Monastery was designed by architect Diogo de Boitaca, an influential architect and engineer of some of the most important buildings in Portugal. In this church, he continued his concept of a nave, the central part of the church, and two side aisles of equal height which unified the inner space as in a hall church. The richly ornate vaulting in the main chapel shows ribs with the shape of a twisted rope, a common theme of the Manueline style which incorporated maritime elements. The Jerónimos Monasteryis considered the most prominent of the late Portuguese Gothic Manueline style of Lisbon architecture.

The Jerónimos Monastery was erected near the Tagus River launch point of Vasco de Gama’s first journey; its construction was funded by a five percent tax on the profits of the yearly Portuguese India Armadas. With the influx of such riches as imported spices and the redirection of funds from other proposed monasteries, Diogo de Boitaca was not limited to small-scale plans. He chose calcário de lioz, a gold-colored limestone for its construction. During his span of overseeing the construction, De Boitaca was responsible for drawing the plans and contracting work on the monastery, the sacristy and the refectory.

Architect Juan de Castillo succeeded Diogo de Boitaca in 1517. He moved from the Manueline to the Spanish Plateesque style, an ornamentation that included decorative features constructed of silverware, plata. With the death of King Manuel I, construction halted until 1550, at which time architect Diogo de Torralva was in charge. He was followed by Jérôme de Rouen who added some classical elements. Throughout the following years, construction was halted several more times before the monastery’s completion, a span of work that lasted over one hundred years.

The Jerónimos Monastery became in 1640 a burial place for the Portuguese royal families. Among those entombed within the monastery were four of the eight children of John IV, King Alfonso VI, the Infanta Joana, and Catarina de Bragança. In 1880, Portuguese explorer Vasco da Gama’s remains and those of poet Luís de Camões, who wrote “The Lusiad, a celebration of da Gama’s first voyage, were moved to newly carved tombs in the monastery’s nave, just a few feet from the tombs of Kings Manuel I and John III, who da Gama served. The monastery is classified as a UNESCO World Heritage Site.

Chateau des Maures

The Stoneworks at Chateau des Maures

The Chateau des Maures, also known as the Castle of the Moors, in the Extremadura, is situated in the town of Sintra, in the parish (Freguesia) of São Pedro de Penaferrim, in the council Sintra district in Lisbon, in Portugal. It is now classified as a National Monument, part of the Sintra Cultural Landscape, a UNESCO World Heritage Site.

The castle is an irregularly planned military outpost that follows a 450 metre perimeter on top of a mountainous cliff, oriented southwest to northwest. It consists of a double line of military walls that meanders over the granite terrain of the promontory. Its place on the hilltop, surrounded by and including the natural and exotic vegetation, accentuates the Romantic character of the place.

The outer walls open near Abelheira (west of Tapada dos Bichos), from a main access door, where several paths wind around the hilltop of the castle. A second ring of walls reinforces the castle with both circular and square turrets, thick wall battlements and railings, and crowned with pyramid-shaped merlons. At this second wall is the main entrance to the castle, protected by two turrets and battlements.