Tag: kansas

Bernard Steffen

The Artwork of Bernard Steffen

Born in Neodesha, Kansas, in 1907, Bernard Steffen was a lithographer and painter noted for his considerable output of work as a participant in the Works Progress Administration’s program for the arts. Besides his lithographic work, he produced many murals, depicting local histories, in United States Post Offices from 1934 to 1941.

Bernard Steffen graduated from Neodesha High School circa 1925; he then attended the Kansas City Art Institute on a scholarship. In 1928 Steffen received a scholarship to the Colorado Springs Art Institute, where he and Thomas Hart Benton roomed together. An early member of the Regionalist art movement. Benton became a lifelong friend and mentor to Steffen, whose style and preference for rural subject matter was influenced by Benton.

Steffen became a member of the American Artist’s Congress, a group established in New York City in 1935 to endorse government support for art unions and to promote a social-realist style in American painting. He worked as a staff artist for the Resettlement Administration, and painted murals for the Works Progress Administration (WPA), including one in 1938 for the US Post Office in Neodesha, Kansas. Steffen was a teacher and treasurer for the National Serigraph Society, and worked comfortably in the varied mediums of oil, tempera, lithography and screen printing.

The strong influence of Thomas Hart Benton’s style is seen in Bernard Steffen’s work. There is a strong contrast in the dark and light tones of his works, and his figures are broad and simplified, intended as representations of types rather than individuals.. Steffen was sympathetically drawn to the rural workers who appear in his prints and paintings of the 1930s; and he frequently emphasized agricultural themes. His subject matter, however, does not derive entirely from Benton’s influence, but also from his own experiences while growing up in Kansas.

Steffen also studied with Stanton McDonald Wright, the American modernist painter, who, along with Morgan Russell and Patrick Henry Bruck, were the only American artists to define a common aesthetic philosophy and issue a manifesto. The influence of Wright’s style can be seen in the emphasis Steffen applied towards underlying compositional structure. Like other artists of the 1930s, Steffen produced works which provided a connection between the artist and  his worker subjects.

After his work with the WPA, Bernard Steffen relocated his residence to Woodstock, New York, where he set up a studio. In 1977 he was diagnosed with ALS; however, he continued to produce art by holding a brush in his stiff hand and stippling the canvas. He married painter Eleanor Lipkins in June of 1978. Two years later, Bernard Steffen passed away, with his wife by his side, on July 10, 1980 at the age of seventy-two. He is buried at the Artists Cemetery in Woodstock, Ulster County, New York. 

His lithography and silk screen prints are in the collections of The Spencer Museum of Art at the University of Kansas, University of Michigan Art Museum, Dallas Museum of Art, and the Block Museum at Northwestern University. Many of his prints are part of the Library of Congress collection.

Note: A devastating fire in 1977 destroyed Bernard Steffen’s Woodstock, New York, home and studio, along with all of his artwork. What survives today are works previously sold or in galleries and museums at that time.

Top Insert Image: Photographer Unknown, Bernard Steffen at Gallery Showing, Date Unknown

Middle Insert Image: Bernard Steffen, “Pulling Corn (Fodder Chopper)”, Date Unknown, Serigraph in Color,, 27.9 x 35.2 cm, Private Collection

Bottom Insert Image: Bernard Steffen, “S Curve”, 1940, Lithograph on Paper, 24.1 x 21 cm, Private Collection

Calendar: February 21

A Year: Day to Day Men: 21st of February

Formation of a Decision

The first International Pancake Race was held on February 21, 1950 in Liberal, Kansas.

A Shrove Tuesday competition began February 21, 1950, between people in Liberal, Kansas, and Olney, Buckinghamshire, England, creating International Pancake Day. Each year the communities hold a 415-yard race to determine the fastest runner who can also flip a pancake.

Commemorated elsewhere as Mardi Gras, Pancake Day, and Carnival, Shrove Tuesday is the day before Ash Wednesday, the first day of Lent, a 40-day fasting period in preparation for Easter. The verb “shrove” is Old English and relates to judgment or penance in preparation of Lent. Observers of Lent traditionally quit eating richer foods with ingredients such as eggs, milk, and sugar.

The Olney, England tradition dates to around 1445. Legend holds that a woman in Olney was making pancakes when the church bells began ringing to announce the service. Carrying her frying pan and wearing an apron, she raced to arrive at church on time. In subsequent years, others in the community joined in the race. The prize was the “Kiss of Peace” from the verger, or bell ringer.

The Liberal/Olney competition began when members of the Liberal Junior Chamber of Commerce learned about the Olney race and proposed a friendly competition with the English community. The contest, which continues today, requires that runners wear a traditional apron and scarf and carry a frying pan in which they toss a pancake at the beginning and ending of the race. The event concludes with presentation of awards and a church service.

A competitor from Liberal, Kansas, has won the 2018 International Pancake Day Race against the top runner from Olney, England. Gaby Covarrubias of Liberal ran the course on Shrove Tuesday with a time of 1:08.85, about 2.5 seconds faster than Olney’s Katie Godof at 1:11.4. It’s Liberal’s first win in the annual contest since 2015; Liberal now leads the all-time series 38-29.