The Man Who Shined Darkness

Photographer Unknown, (The Man Who Shined Darkness)

“So do we pass the ghosts that haunt us later in our lives; they sit undramatically by the roadside like poor beggars, and we see them only from the corners of our eyes, if we see them at all. The idea that they have been waiting there for us rarely crosses our minds. Yet they do wait, and when we have passed, they gather up their bundles of memory and fall in behind, treading in our footsteps and catching up, little by little.”
Stephen King, Dark Tower

 

 

Nepcetat Mask

Central Yup’ik, Nepcetat Mask, Arctic Region, 1840-60. Wood, Swan Feathers, Snowy-Owl Feathers, Fox Teeth, Sealskin, Thong, Reed, Blood, Pigment, Ochre, Charcoal: Fenimore Museum, Cooperstown, New York

In all the classes of masks, the nepcetat or nepcetaq mask is ranked highest, being the most powerful mask. Each mask could only be used by its owner, and another person could not just take it and use it as effectively. Although the angalkuq or shaman would place the mask on his face without a string to hold it there, it would adhere to his face and not fall off even though he would bow down.

From the Forest Mist

Photographer Unknown, (From the Forest Mist)

“He liked the fog, the world quietened down and closed in. Glossy turned to matt, every stridency was muted, substance leached out of the brute matter all around. Things became notions, the brash present a vague memory.

By some parallel process of slippage, his innumerable childhood memories of foggy days morphed into other memories. The fog of illness, real or feigned, of fevers and flu and febrility.”
Michael Dibdin, Medusa