Category: historic site

Spencer Means, “Balcony at Casa Calvet”

Spencer Means, “Balcony at Casa Calvet”, Barcelona, Spain

Casa Calvet is a building, built between 1898 and 1900, designed by Antoni Gaudi for a textile manufacturer which served as both a commercial property and a residence. It is located at Carrer de Casp 48, Eixample district of Barcelona.

Gaudí scholars agree that this building is the most conventional of his works, partly because it had to be squeezed in between older structures and partly because it was sited in one of the most elegant sections of Barcelona. Its symmetry, balance and orderly rhythm are unusual for Gaudí’s works.

However, the curves, the double gable at the top, and the projecting oriel at the entrance are almost baroque in its drama. Modernist elements are evident in the isolated witty details. Bulging balconies alternate with smaller, shallower balconies.

Jon Atkinson, “Casa Batlló”

Jon Atkinson, “Casa Batlló”

Jon Atkinson is a wildlife and travel photographer.

Casa Batlló was designed by Gaudí for Josep Batlló, a wealthy aristocrat, as an home. Gaudí used colours and shapes found in marine life as inspiration for his creativity in this building e.g. the colours chosen for the façade are those found in natural coral.

Claus Sluter

Claus Sluter, “Well of Moses”, 1395-1404, Cloister of the Chartreuse de Champmol, Dijon, France

Claus Sluter was an influential master of early Netherlandish sculpture, who moved beyond the dominant French taste of the time and into highly individual monumental, naturalistic forms. The works of Claus Sluter infuse realism with spirituality and monumental grandeur.Sluter’s influence was extensive among both painters and sculptors of 15th-century northern Europe.

The six-sided “Well of Moses”, now lacking its crowning Calvary group, which made the whole a symbol of the “fountain of life,” presents six life-sized prophets holding books, scrolls, or both. The figures, beginning with Moses, proceed counterclockwise to David, Jeremiah, Zechariah, Daniel, and Isaiah. Moses was placed directly below the face of Christ, and the location of Zechariah, father of John the Baptist, was at Jesus’ back, as befits a precursor.

Zechariah looks down sadly as Daniel vigorously points to his prophecy. On the other side of Daniel, and serving to balance Daniel’s passionate temperament, is the calm reflective Isaiah. This juxtaposition reveals Sluter’s use of alternating naturalistic balances. The head and torso fragment of Christ from the Calvary reveal a power and intensity of restrained expression that conveys overwhelming grandeur. Suffering and resignation are mingled, a result of the way the brow is knitted, though the lower part of the face, narrow and emaciated, is calm and without muscular stress.

The “Well of Moses” was originally painted in several colours by Jean Malouel, painter to the duke, and gilded by Hermann of Cologne. The figures of the composition dominate the architectural framework but also reinforce the feeling of support that the structure provides through their largeness of movement.

The Funicular

Chas, “The Funicular”, Zagreb, Croatia

This is one of the shortest; but also one of the steepest funiculars in the world. The track length is only 217 feet; but the height is 100 feet with an inclination of 52 degrees. The funicular started operation in 1890 powered by a steam engine, which was replaced withan electric engine in 1934. The cars reach the top in 64 seconds.

Calendar: August 17

A Year: Day to Day Men: 17th of August

The Birdcage

August 17, 1590 marks the date Governor John White returned to the Roanoke Island colony, only to find it abandoned.

The first attempted settlement at Roanoke Island was headed by Ralph Lane in 1585. Sir Richard Grenville had transported the colonists to Virginia and returned to England for supplies as planned. The colonists were desperately in need of supplies and Grenville’s return was delayed. While awaiting his return, the colonists relied heavily upon a local Algonquian tribe. In an effort to gain more food supplies, Lane led an unprovoked attack, killing the Secotan’s chieftain Wingina and effectively cutting off the colony’s primary food source. As a result, when Sir Francis Drake arrived at Roanoke, the entire population abandoned the colony and returned with Drake to England.

In 1587, a group of 120 English men, women and children now led by John White tried to settle in Roanoke Island again. At this point in time the Secotan Tribe and their Roanoke dependents were totally hostile to the English; but the Croatoan tribe, who were on better terms with the previous settlers, remained allies. Manteo. the Croatoan chief, remained aligned with the English and attempted to bring the English and his Croatoan tribe together. John White, father of the colonist Eleanor Dare and grandfather to Virginia Dare, the first English child born in the New World, left the colony to return to England for supplies. He expected to return to Roanoke Island within three months.

Instead, England itself was attacked by massive Spanish Invasion; all ships were confiscated for use for defending the English Channel. White’s return to Roanoke Island was delayed until 1590, by which time all the colonists had disappeared. The settlement was left abandoned. The whereabouts of Manteo and his people after the 1587 settlement attempt were also unknown.

Speculation has suggested that Manteo left with his people to live on Croatoan island. The only clue White found was the word “CROATOAN” carved into a post, as well as the letters, “CRO” carved into a tree. Before leaving the colony three years earlier, White had left instructions that if the colonists left the settlement, they were to carve the name of their destination, with an added  Maltese cross if they left due to danger.

Croatoan was the name of an island to the south, now known as Hatteras Island where the Croatoan people, still friendly to the English, was known to live. The 1587 colonists might have tried to reach that island. However, foul weather kept White from venturing south to search on Croatoan for the colonists, so he returned to England. White never returned to the New World. Unable to determine exactly what happened, people referred to the abandoned settlement as “The Lost Colony.” The fate of those first colonists remains unknown to this day and is one of America’s most intriguing unsolved mysteries.

Imperatore Constantino

Artist Unknown, Imperatore Constantino, Musei Capitolini, Rome, italy

The colossal statue of Constantine I,  sculpted in marble, was one of the most important works of late-ancient Roman sculpture The remaining segments are at the Palazzo dei Conservatori in Rome and were dated between 313 and 324. A hand and the right arm, the two feet, the knee and the right femur, the left calf and the head are the only remaining parts of the statue. The origin statue judging from the remains was a seated form that reached approximately 12 meters in height.

The head, which was originally decorated with a metallic crown, is grandiose and solemn, presenting the characteristics of Roman art of that era, with the stylization and simplification tendencies of the lines.  The face is squared, with hair and eyebrows rendered with very refined and “calligraphic” marble engravings, but still completely unnatural looking. The eyes are big, almost huge, with the well-marked pupil looking upwards; they are the focal point of the whole portrait.

The Emperor’s gaze seems to scrutinize the surrounding environment and gives the portrait an appearance of extraterrestrial austerity. The hair is treated as a single swollen mass deeply furrowed by the streaks that separate some locks. The face posesses an aquiling nose, long, thin lips and a prominent chin. This is an idelaized face, despite the classical importation, which seeks to show an aura of holiness.

Tribute Bearer

Tribute Bearer, Bas Relief, 710-705 BC, Assyrian Empire

This sculptured head of a man comes from a bas relief of tribute bearers in a procession. The turban on his head and style of his hair and beard identify him as being fron the western part of the Assyrian Empire, probably the Syrian Coast or Turkey. The relief was on a wall in the Palace of Sargon II, located in Khorsabad, Iraq.

Sargon II, a son of Tigiath-Pileser III, came to power late in his life, by ursurping the throne of his brother in a coup. Sargon II suppressed rebellions, conquered the Kingdom of Israel, and in 710 BC conquered the Kingdom of Babylon. He reunited Assyria with its southern rival, Babylonia, which had been seperated for the last thousand years.

In 705 BC, five years after taking Babylon, Sargon II was killed while leading a campaign to Tabal, which had rebelled against Assyrian rule seven years prior. His body was never recovered; his son Sennacherib became the new king.

Charles Sheeler

Charles Sheeler, “Criss-Crossed Converyors, River Rouge Plant, Ford Motor Company”, 1927, Gelatin Silver Print, Metropolitan Museum of Art

A realistic painter as well as a photographer, Charles Sheeler rarely failed to uncover harmonious coherence in the forms of indigenous American architecture. His series of photographs of the Ford plant near Detroit was commissioned by the automobile company through an advertising agency. Widely reproduced in Europe and America in the 1920s, this commanding image of technological utopia became a monument to the transcendent power of industrial production in the early modern age.

Sheeler was one of the founders of American modernism, developing a syle of painting known as Percisionism. He attended the Pennsylvania Museum School of Industrial art from 1900 to 1903. Sheeler later attended the Pennsylvania Academy of Fine Arts where he studied under William Merritt Chase, who later established the Parsons School of Design.

Realizing he could not make a living with Modernist painting, Sheeler focused in 1910 on commercial photography, particularly on  architectual subjects. He was a self-taught photographer, leaning his trade on a five-dollar Brownie made by Eastman Kodak. The theme of machinery and technology featured prominently in Sheeler’s photographic work, which continued the linear precision of his paintings.

Jacopo Sansovno

Jacopo Sansovno, “Mars”, Doges Palace, Venice, Italy

In 1485, the Great Council in Venice decided that a ceremonial staircase should be built within the courtyard of the Doges Palace. The design envisaged a straight axis with the rounded Foscari Arch, with alternate bands of Istrian stone and red Verona marble, linking the staircase to the Porta della Carta, and thus producing one single monumental approach from the Piazza into the heart of the building. Since 1567, the Giants’ Staircase is guarded by Jacopo Sansovno’s two colossal statues of “Mars” and “Neptune”,  which represents Venice’s power by land and by sea, and therefore the reason for its name.

Calendar: July 15

A Year: Day to Day Men: 15th of July

Sunflowers in Blue Vase

On July 15, 1799, French Captain Pierre-Francois Bouchard finds the Rosetta Stone.

The Rosetta Stone is a granodiorite stele, inscribed with three versions of a decree issued at Memphis, Egypt in 196 BC on behalf of King Ptolemy V. The top and middle texts are in Ancient Egyptian using the Hieroglyphic script and the Demotic script, respectively, while the bottom is in Ancient Greek. As the decree had only minor differences between the three versions, the Rosetta Stone proved to be the key to deciphering Egyptian hieroglyphs.

The Rosetta Stone is a fragment of a larger stele; no additional fragments were found in later searches. Owing to its damaged state, none of the three texts is absolutely complete. This fragment of the stele is 3 feet 8 inches high at its highest point, 2 feet 6 inches wide and 11 inches thick. It weighs approximately 1,680 pounds. The front surface is polished smooth with the incised text; the sides are smooth; and the back is only roughly worked as this would not have been visible when erected.

The stone, carved in black granodiorite, similar to granite, is believed to have been originally in a temple, possibly at nearby Sais. It was moved during the medieval period, and was eventually used as building material in the construction of Fort Julien near the town of Rashid in the Nile Delta. During the Napoleonic campaign in Egypt, Pierre-Francois Bouchard discovered the stone and was immediately convinced of its importance. It was the first Ancient Egyptian bilingual text recovered in modern times; it aroused widespread interest with its potential to decipher previously untranslated hieroglyphic language.

Study of the decree was already under way when the first full translation of the Greek text appeared in 1803. It took another 20 years, however, before the transliteration of the Egyptian scripts was announced by Jean-Francois Champollion in Paris in 1822.  It took longer still before scholars were able to read the Ancient Egyptian inscriptions and literature confidently.

The major advances in the decoding of the Rosetta Stone were: The recognition in 1799 that the stone offered three versions of the same text; It became known in 1802 that the demotic text used phonetic characters to spell foreign names; Thomas Young recognized in 1814 that the hieroglyphic text did so as well, and had pervasive similarities to the demotic text; Champollion saw in his 1822-1824 studies that. in addition to being used for foreign names,  the phonetic characters were also used to spell native Egyptian words.