A Gay-Oriented Collection of Art Works, Literary Quotes, Songs, Films, and Male Images. Please be aware thet there is mature content on this blog. Information and links to sources will be provided unless unknown. Enjoy your visit.
My best wishes to all who visit this site during this holiday season and the year to come! I hope that you have enjoyed your stay at this site and will visit often. Have a great winter season, stay well and safe. -Chas Ultrawolvesunderthefullmoon.blog
The food gifs have been made by the talented cinematographic artist Daria Khoroshavina who is based in Moscow, Russia. Her project Kitchen Ghosts is about food, drinks and other little precious moments of life captured and looped in live photographs.
The Kitchen Ghosts project has been noticed and loved by many brands which led to successful collaborations with Pepsi, Martell, Blue Angel vodka, Schweppes, Amazon, Samsung and others.
Paul Jasmin, “Rodney, Edie, and Bosco, Hollywood”, 1990, Silver Gelatin Print
Born in April of 1935, Paul Jasmin was an actor, illustrator, and painter before focusing on photography. He left his hometown of Helena, Montana, in 1954 to travel in the world and pursue an acting career in New York and Los Angeles. He performed small cameo roles in the 1959 “Riot in Juvenile Prison”, “Midnight Cowboy” in 1969, and Spike Jonze’s 2002 “Adaption”. Working with actors Virginia Gregg and Jeanette Nolan, Paul Jasmin provided one of the three vocals mixed together for the voice of Norman’s mother in Hitchcock’s “Psycho”.
From 1965 to 1975, Jasmin concentrated on painting and illustration. He provided illustrative work for the fashion campaigns of the luxury Valentino brand. Jasmin also illustrated the advertising poster for the 1972 American porno film “Bijou”, directed by dancer and choreographer Wakefield Poole.
Urged by friend and photographer Bruce Weber, Paul Jasmin turned to photography, with his imagery focusing on the unknown people he discovered on his travels. He began doing work for commercial clients in the late 1970s, working for the brands SAKS, Nautica, and Mr.Porter. Jasmin’s current editorial work appears in Vogue, Teen Vogue, GQ, Details, V Magazine, V Man, and Vogue Hommes, among other publications,
Since 2002, Jasmin has produced a several photographic studies of life in California, including “Hollywood Cowboy”, published in 2002 by Arena Editions; the 2008 “Los Angeles”, published by Steidl: and “California Dreaming”, published by Steidl in 2011. His 2008 “Lost Angeles” series, a study of those ‘tarnished angels’ who come to Hollywood seeking their dreams, is considered one of his most prominent works.
Paul Jasmin currently teaches photography at the Art Center College of Design in Pasadena, California.
Born in 1961 in the city of San Juan, Puerto Rico, Carlos Cancio graduated with a Bachelor of Fine Arts from the University of Boston. He moved to Strait of Gibraltar on the coast of Spain, setting up his first studio and began to show his work professionally beginning in 1981. Cancio lived in San Francisco from 1991 until 2003, at which time he returned to Puerto Rico where he currently resides and paints.
The Ponce Art Museum in Puerto Rico acquired Carlos Cancio’s first large scale work in 1986- a nine-foot square painting entitled “Ballets Comteporains”. He had his first one-man show at the Institute of Puerto Rican Culture in 1987 and, in the following year, had a solo exhibition at the San Juan Museum of Art and History. Cancio also has shown at the Museo de Arte de Puerto Rico in 2001, the 2005 Art International Congesshaus in Zurich, Switzerland, Art Shanghai in China, and the 2012 “Afrolatinos Exhibition” at the Museo de Arte de Caguas in Puerto Rico.
Carlos Cancio’s art is in the painting genre of Magical Realism, where magical elements are a natural part of an otherwise mundane, realistic environment. His oil and acrylic media paintings contain figures, elements of dream sequences, and visual narratives which break the rules of our perceptions.
Photographer Unknown, Title Unknown, (Dolphin Sails)
“Nowhere else than upon the sea do the days, weeks and months fall away quicker into the past. They seem to be left astern as easily as the light air-bubbles in the swirls of the ship’s wake, and vanish into a great silence in which your ship moves on with a sort of magical effect.”
― Joseph Conrad, The Mirror of the Sea
Edward Julius Detmold, “Common Wasps”, From “Fabre’s Book of Insects”, 1935, Tudor Publishing Company
Painter, printmaker and illustrator Edward Julius Detmold was born in London in 1883 along with his twin brother Charles Maurice Detmold. Provided patronage by their uncle Edward Shuldhan, the two brothers studied painting and printmaking under the tutelage of their uncle Henry Detmold, also an artist. In 1898, at the age of 13, the twins exhibited watercolors at the Royal Academy, and issued a portfolio of color etchings that same year that quickly sold out and brought them notoriety. In 1899 Edward and Charles began illustrating books jointly, begining with “Pictures from Birdland”, which was commissioned and published by J.M. Dent. This was followed by a portfolio of watercolors inspired by Kipling’s “The Jungle Book”.
The brothers’ tandem success, however, was ended with the sudden death by suicide of Charles in 1908. Edward Detmold threw himself into his work, beginning with an illustrated ” Aesop’s Fables” that included 23 color plates and numerous pen and ink drawings. This began a decade of intense productivity, in which the Detmold’s execptional eye for the detail and complexities of nature allowed him to achieve his place among the best illustrators of the Victorian era.
Edward Detmold continued to illustrate numerous books, including Maurice Maeterlinck’s “The Life of the Bee”, Camille Lemonnier’s “Birds and Beasts”, his own “Twenty Four Nature Pieces”, and Jean-Henri Fabre’s “Book of Insects”. However by 1921, after witnessing the horrific results of World War I and feeling a disillusionment with his own art, he had reached the end of his zenith. Though Edward Detmold went on to illustrate one last edition of “The Arabian Nights” in 1924, he had effectively ended his career with the publishing of a literary book of aphorisms entitled “Life”. He retired to Montgomeryshire, England, and died in 1957, also from suicide.
Andreas Feininger, “Skeleton of Gaboon Viper”, 1952, Silver Gelatin Print
Son of the late acclaimed artist Lyonel Feininger, American photographer Andreas Feininger was born in Paris in 1906, and graduated with highest honors in architecture from schools in Germany. At that time, Feininger was using a camera as his mechanical sketchbook for a reference aid in creating his building designs.
After a year’s work in France for architect Le Corbusier, followed by a struggle to find employment in Stockholm, Feininger turned his attention full-time to photography. He sold his first photos in 1932 and moved with his family to the United States in 1939. Feininger became a staff photographer in 1943 for LIFE magazine where he completed more than 430 assignments in a twenty year span.
Feininger’s works are known for their technique and panoramic grandeur. Such timeless images as the “New York Landscape Seen From Eight Miles Away in New Jersey”, taken in 1947, are notable for their harmony, balance, and grand scale. Through Feininger’s trained eye, the intricacies and beauty of both the natural and man-made world were magnified and intensified. His images revealed a new aesthetic of order and geometric perfection from the span of bridges to the symmetrical perfection of the skeleton of a carbon viper.
“Samurai Champloo” is a Japanese anime series developed by the Japanese animation and production company Manglobe. The production team was lead by director Shinichiro Watanabe, character designer Kazuto Nakazawa and mechanical designer Mahiro Maeda. This series was Watanabe’s first directorial effort for an anime television series after his critically acclaimed “Cowboy Bebop”. “Samurai Champloo” ran for twenty-six episodes from May of 2004 until March of 2005.
The series blended historical Edo-period backdrops with modern styles and references. The show dealt with the Shimabara Rebellion in Edo-era Japan, the restriction of Japanese foreign relations exclusive of the Netherlands, the art of ukiyo-e painting, and fictionalized appearances of real-life Edo-era personalities. Artistic license trumped accuracy and the music score used contemporary music.
“Still Life with Green Cup”, Date Unknown, Pastel on Paper
Ron Monsma received his BA in Fine Arts at Indiana University South Bend and has been an instructor of drawing and painting at Indiana University since 1997. His work has been recognized with numerous awards and is represented in many private and corporate collections across the United States.
Photographer Unknown, The Dragon Tree (Dracaena draco)
The Dracaena draco, or the Dragon tree, is a subtropical tree in the genus Dracaena, native to the Canary Islands, Cape Verde, Madeira, and locally in western Morocco. It has been introduced to the Azores. The tree is a nmoncot with a branching growth pattern currently placed in the asparagus family. When young it has a single stem. At about ten to fifteen years of age, the stem stops growing and produces a first flower spike with white, lily-like perfumed flowers, followed by coral berries. Soon a crown of terminal buds appears and the plant starts branching. Each branch grows for about ten to fifteen years and re-branches, so a mature plant has an umbrella-like habit. It grows slowly, requiring about ten years to reach 1.2 metres (4 ft) in height but can grow much faster.
Pinku eiga star and intense adult director Kôichi Imaizumi teamed with Japan’s prominent adult manga author for the film “Berlin Drifters”. A low-budget, all-hands-on-deck affair, “Berlin Drifters “ unites a who’s who of Asian and European eroticists, from Dutch porn star Michael Selvaggio and German self-described erotic photographer Claude Kolz to Chinese LGBT activist and dramatist Xiaogang Wei. Most notable, however, could be the participation of Japanese gay erotica artist Gengoroh Tagame, most easily described as Japan’s Tom of Finland.
Imaizumi is perhaps best known as a pinku eiga actor — the soft-core Japanese mini-features, celebrated in last year’s Nikkastu Roman Porno Series and which have given some of the country’s most prominent filmmakers their starts. As a director, Imaizumi dabbled with graphic sex in both “The Secret to My Silky Skin”, starring Majima, and the troubling sci-fi rape comedy “The Family Complete”.
Imaizumi’s hallmarks of sexuality and masculinity are present in “Berlin Drifters”, but also the insights regarding acceptance and the stigmas surrounding homosexuality in Japan. “Berlin Drifters” was shown at the Hong Kong Lesbian and Gay Film Festival. Sales of the film are through Habakari Cinema Research.
Alekos Fassianos, “Hard to Get”, 1983, Oil on Canvas, 100 x 70 cm, Private Collection
The Greek painter Alekos Fassianos was born in Athens in 1935. He graduated from the Athens Academy of Fine Arts, then moved to Paris in 1960 to study lithography at the Paris National School of Arts. In his early career he designed stage decoratins for both modern and classic productions. He currently lives and paints in Athens, Greece.
stuck in mid tropic strut, it sometimes stands
as if considering how to cool avian plastic,
dive into the mown lagoon of lawn;
how take flight on dayglow flap-
doodle wings, no matter
if it is ball-bald going nowhere fast.”
Rachel Newling, “Green Tree Python”, Date Unknown, Hand-Colored Linocut on Handmade Japanese Paper, 76 x 50 cm.
Rachel Newland is an established Australian artist, specializing in hand colored and reduction linocuts, mixed media engravings and drawings. Prints are available at her site: https://www.rachelnewling.com